Andrew Burn height - How tall is Andrew Burn?

Andrew Burn was born on 1954 in Shifnal, United Kingdom, is a Professor. At 66 years old, Andrew Burn height not available right now. We will update Andrew Burn's height soon as possible.

Now We discover Andrew Burn's Biography, Age, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of net worth at the age of 68 years old?

Popular As Andrew Burn
Occupation Professor
Andrew Burn Age 68 years old
Zodiac Sign N/A
Born
Birthday
Birthplace Shifnal, United Kingdom
Nationality British

We recommend you to check the complete list of Famous People born on . He is a member of famous Professor with the age 68 years old group.

Andrew Burn Weight & Measurements

Physical Status
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
Parents Not Available
Wife Not Available
Sibling Not Available
Children Not Available

Andrew Burn Net Worth

He net worth has been growing significantly in 2021-22. So, how much is Andrew Burn worth at the age of 68 years old? Andrew Burn’s income source is mostly from being a successful Professor. He is from British. We have estimated Andrew Burn's net worth , money, salary, income, and assets.

Net Worth in 2022 $1 Million - $5 Million
Salary in 2022 Under Review
Net Worth in 2021 Pending
Salary in 2021 Under Review
House Not Available
Cars Not Available
Source of Income Professor

Andrew Burn Social Network

Instagram
Linkedin
Twitter
Facebook
Wikipedia Andrew Burn Wikipedia
Imdb

Timeline

2019

Burn was born in Shifnal, England. His family lived in Darlington, before moving to Kota Kinabalu, Sabah in Malaysia, where his father was Dean of All Saints’ Cathedral. He was educated at Christ's Hospital, and went on to study English at St John's College, Oxford, winning the Eugene Lee-Hamilton prize for the best Petrarchan sonnet in Oxford and Cambridge in 1975.

Projects conducted by DARE include a European study of film education with the British Film Institute; Playing Shakespeare, which developed a videogame-authoring tool for Macbeth with Shakespeare’s Globe; and Playing Beowulf, which developed a similar tool for the Anglo-Saxon epic Beowulf with the British Library. Burn has also led a major project with the British Library, the University of Sheffield, and the University of East London, to create a digital archive of research on playground games and their relation to children’s media cultures. This archive, at the British Library, includes the sound collection of Iona and Peter Opie, making it a repository of international importance. Burn was awarded the 2016 Opie Prize of the American Folklore Society for the book of the project, with colleagues in the research team.

2012

In 2012, Burn became a founding member and co-director of a collaborative research initiative between the UCL Institute of Education and the British Film Institute. The DARE collaborative (Digital|Arts|Research|Education) was created as a research partnership focused on digital media, the media arts, and arts education. It aims to promote conversations between researchers, educators, cultural institutions and media arts practitioners.

2003

In 2003, Burn was the first person to establish and coin the term, Kineikonic Mode. The work was based in multimodality theory, studying the overall function of various modes in film, animation and video game. The Kineikonic Mode also had connections with film theory. It has since been expanded to analyse time and space in young people’s media productions, and how these express aspects of identity.

Burn established the theory of the Kineikonic Mode in 2003 with David Parker. It was proposed as a general theory of film semiotics, but has often been used to explore the way that informal digital video production can construct, represent or dramatize the identities of young filmmakers. The term adapts two Greek words which signify "moving image". It provides a way to study how modes such as speech, music, dramatic action are orchestrated by the grammars of filming and editing to create meaning for makers and viewers.

2001

After working in secondary education, Burn moved into Higher Education, after studying for a Master of Arts degree in Cultural Studies and a PhD in film semiotics at the UCL Institute of Education. His doctoral supervisor was Gunther Kress. He was appointed lecturer in Media and Cultural Studies at the IOE in 2001, becoming a Reader in 2007, and Professor in 2009. He is Professor of English, Media and Drama, based at the UCL Knowledge Lab. He has been a visiting professor at the University of Vienna and the University of Agder.

1990

During the specialization of United Kingdom secondary schools in the late 1990s, Burn played a key role in ensuring his school, Parkside Community College, became the UK's first specialist media arts college. The work lasted roughly a decade, with the college focusing on film, animation and video games. It is described in the book Burn co-authored with James Durran regarding media literacy in schools, which was published in 2007 by Sage. The book represents key aspects of Burn’s theory and research, in particular how media education can foster cultural, critical and creative work by young people, especially in their production of their own films, animations and videogames, cultural forms which occupy a large part of Burn’s research work.

1982

Burn's teaching career started as a secondary school teacher, working for over twenty years in Huntingdon, St. Neots and Cambridge. He served as a member of the Labour Party's ruling administration of Cambridge City council between 1982 and 1987, representing the King's Hedges ward. He contributed to the peace initiative to twin the city of Cambridge with Szeged, Hungary.

1954

Andrew Burn (born 1954) is an English professor and media theorist. He is best known for his work in the fields of media arts education, multimodality and play, and for the development of the theory of the Kineikonic Mode. He is a professor of English, Drama and Media at the UCL Institute of Education.