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Diagnosed with lung cancer in 2007 despite having quit smoking nearly twenty years earlier. She immediately underwent chemotherapy and, in February 2008, underwent surgery to remove the upper lobe of her right lung.

Retired from acting in 2004 after nearly 60 years in the motion picture industry.

Interviewed in Tom Weaver's book "They Fought in the Creature Features" (McFarland & Co., 1995).

She has long been involved with a metaphysical-based church, channeling her own thoughts and feelings into the inspirational 1982 book "Voices from Home: An Inner Journey". Lately, she has spent more time off-camera and involved in such charitable programs as "Direct Relief", "Angel View" and the "Desert AIDS Project", among others. Her health declined sharply in the final years.

For the next couple of decades, Anne remained a welcome and steadfast presence in a slew of television movies (The Intruders (1970), Haunts of the Very Rich (1972), Little Mo (1978), A Masterpiece of Murder (1986)), usually providing colorful, wisecracking support. She billed herself as Anne Lloyd Francis on occasion in later years. For such a promising start and with such amazing stamina and longevity, the girl with the sexy beauty mark probably deserved better. Yet in reflection, her output, especially in her character years, has been strong and varied, and her realistic take on the whole Hollywood industry quite balanced.

Twice divorced with one daughter from her second marriage, Anne adopted (as a single mother) a girl back in 1970 in California.

Her gratuitous co-star parts opposite some of filmdom's top comics' in their lesser vehicles -- Jerry Lewis' Hook, Line and Sinker (1969) and Don Knotts' The Love God? (1969) -- did little to show off her talents or upgrade her career.

The actress returned to films only on occasion, the most controversial being Funny Girl (1968), in which her co-starring role as Barbra Streisand's pal was heartlessly reduced to a glorified cameo.

As a child she lived in an apartment at 66-11 99th Street in Forest Hills, New York.

Actually took karate lessons while starring in the TV series Honey West (1965).

Has two daughters, Jane Elizabeth Abeloff (born March 21, 1962) and Margaret Francis West. Margaret was adopted in May of 1970. The adoption was one of the first granted to a single parent in the state of California. Jane Elizabeth was born with the same trade mark mole as her mother.

Turned down the lead role in the film soaper Claudelle Inglish (1961); Diane McBain won the role but the film bombed. Francis later replaced actress Joan Hackett on the film The Satan Bug (1965).

In the 1960s, Anne began refocusing strongly on the smaller screen, finding a comfortable niche on television series.

She found a most appreciative audience in two classic The Twilight Zone (1959) episodes and then as a self-sufficient, Emma Peel-like detective in Aaron Spelling's short-lived cult series Honey West (1965), where she combined glamour and a sexy veneer with judo throws, karate chops and trendy fashions. The role earned her a Golden Globe Award and Emmy Award nomination.

Passed away just 35 days after her Forbidden Planet (1956) co-star Leslie Nielsen died.

First husband, Bamlet Lawrence Price Jr. was a former UCLA student who was working on a film project entitled One Way Ticket to Hell (1955). As part of their divorce settlement, he repaid her the $4,000 he borrowed for this film. She had one daughter, Jane Elizabeth, by her second husband, Dr. Robert Abeloff, a dentist. Each marriage lasted about three years.

Zanuck after playing a seductive, child-bearing juvenile delinquent in the low budget film So Young, So Bad (1950), Anne soon starred in a number of promising ingénue roles, including Elopement (1951), Lydia Bailey (1952), and Dreamboat (1952) but she still could not seem to rise above the starlet typecast.

At MGM, she found promising leading lady work in a few noteworthy 1950s classics: Bad Day at Black Rock (1955); Blackboard Jungle (1955); and the science fiction cult classic Forbidden Planet (1956). While co-starring with Hollywood's hunkiest best, including Paul Newman, Dale Robertson, Glenn Ford and Cornel Wilde, her roles still emphasized more her glam appeal than her acting capabilities.

By age 11, she was making her stage debut on Broadway playing the child version of Gertrude Lawrence in the star's 1941 hit vehicle "Lady in the Dark". During this productive time, she attended New York's Professional Children's School. Metro-Goldwyn-Mayer put the lovely, blue-eyed, wavy-blonde hopeful under contract during the post-war World War II years. While Anne appeared in a couple of obscure bobbysoxer bits, nothing much came of it. Frustrated at the standard cheesecake treatment she was receiving in Hollywood, the serious-minded actress trekked back to New York where she appeared to good notice on television's "Golden Age" drama and found some summer stock work on the sly ("My Sister Eileen"). Discovered and signed by 20th Century-Fox's Darryl F.

Anne Francis got into show business quite early in life. She was born on September 16, 1930 in Ossining, New York (which is near Sing Sing prison), the only child of Phillip Ward Francis, a businessman/salesman, and the former Edith Albertson. A natural little beauty, she became a John Robert Powers model at age 6(!) and swiftly moved into radio soap work and television in New York.