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A new collection of poetry, All We Saw, and a new work of non-fiction, Infinite Gradation, were released in 2017. Both books were shortlisted for the 2019 Vine Awards for Canadian Jewish Literature in the Poetry and Non-Fiction categories respectively. Infinite Gradation won the Non-Fiction prize.

In October 2015, Michaels began her tenure as the poet laureate of Toronto, succeeding George Elliott Clarke. Her personal mandate is to provide a platform for Toronto's many tongues: "How do we make a space for all these literatures that have come to us in such tremendous largesse, such tremendous richness? We need Torontonians to bring their cultures, bring their poets to us, so we have access to that huge international library." 2015 also saw the release of Michaels' first children's book, The Adventures of Miss Petitfour.

Michaels returned to poetry with the release of her book-length poem, Correspondences (2013), an historic and personal elegy in an accordion-style format that can be read frontwards or backwards. A collaboration with artist Bernice Eisenstein, Correspondences alternates poetry with haunting portraits of the 20th century writers and thinkers to whom Michaels' pays tribute. The work went on to receive the Helen and Stan Vine Book Award and was shortlisted for the Griffin Poetry Prize.

In 2011, Michaels contributed to the Bush Theatre's 24-hour performance of Sixty-Six Books to mark the 400th anniversary of the King James Bible, providing 66 playwrights, poets, songwriters, and novelists - of all faiths and none, from over a dozen countries and across five continents - the opportunity to respond to some of the oldest stories ever told. Her contribution, "The Crossing," was later anthologized in Sixty-Six Books: 21st Century Writers Speak to the King James Bible (2011). An extract from "The Crossing" was also performed at Westminster Abbey's King James Bible Service for Her Majesty The Queen, His Royal Highness The Duke of Edinburgh and His Royal Highness The Prince of Wales.

Michaels would not publish The Winter Vault until 2009, thirteen years following the release of Fugitive Pieces which, likewise, took nearly a decade to write. Like Fugitive Pieces, her second novel considers deeply the "complicated relationship between huge historic events and intimate, domestic events; the relationship between historical grief and personal grief; how we remember privately, and how we remember - and memorialize – publicly, collectively. Each community, each nation, faces this question and answers it in its own way, according to its own needs."

Skin Divers was adapted in 2009 for the National Ballet of Canada by Dominique Dumais with music by Gavin Bryars. Incorporating spoken word and visual projections, Skin Divers explores "the body as a living archive of experience, or a museum of memory."

Fugitive Pieces was directed and adapted for the screen by Jeremy Podeswa, scored by Nikos Kypourgos, and selected to open the 2007 Toronto International Film Festival. Michaels' debut novel was also adapted into a radio drama for BBC Radio 3.

During this period, Michaels also began writing for the stage. A collaboration with John Berger led to the development of Vanishing Points (2005), a profound meditation on railways, love and loss, directed by Simon McBurney, produced by Complicite and presented in the historic German Gymnasium in King's Cross. This work was later published as Railtracks (2011). She also contributed the libretto to Canadian composer Omar Daniel's The Passion of Lavinia Andronicus (2005), offering a new dimension to the tragic figure at the centre of one of Shakespeare's most harrowing plays in a performance by the Hilliard Ensemble and Tafelmusik Chamber Choir.

While working on her second novel, The Winter Vault, Michaels released Skin Divers, her third poetry collection and the last of three volumes, beginning with The Weight of Oranges and Miner's Pond. All three were intended to speak to one another, and were later published in Poems (2000). Notable for her poetic style, both in her poetry and prose, Michaels writes that "[poetry is] such a good discipline for a novelist: it makes you aware that even if you have four or five hundred pages to play with, you mustn't waste a single word."

Following her early success with poetry, Michaels found herself "bumping up more frequently against its limits. [She] was pushing the form as far as [she] could in longer pieces, trying to make connections on a larger scale. [She] stretched poetry as far as it would go in terms of length." Her debut novel, Fugitive Pieces (1996), offered Michaels the opportunity to work more expansively with complicated questions related to history, identity, location, and grief: "a way of layering things; of having images and gestures that connect between page 100 and page 303. It [gave her] the chance to bring readers in slowly, via as many strands as [she could]."

Anne Michaels (born 15 April 1958) is a Canadian poet and novelist whose work has been translated and published in over 45 countries. Her books have garnered dozens of international awards including the Orange Prize, the Guardian Fiction Prize, the Lannan Award for Fiction and the Commonwealth Poetry Prize for the Americas. She is the recipient of honorary degrees, the Guggenheim Fellowship and many other honours. She has been shortlisted for the Governor General's Award, the Griffin Poetry Prize, twice shortlisted for the Giller Prize and twice long-listed for the International Dublin Literary Award. Michaels won a 2019 Vine Award for Infinite Gradation, her first volume of non-fiction. Michaels was the poet laureate of Toronto, Ontario, Canada from 2016 to 2019, and she is perhaps best known for her novel Fugitive Pieces which was adapted for the screen in 2007.

Anne Michaels was born in Toronto, Ontario, in 1958. Michaels attended Vaughan Road Academy and then later the University of Toronto, where she is an adjunct faculty member in the Department of English.