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After moving to Los Angeles at age 23, he composed, arranged, and performed alongside Yanni for more than six years, performing in-concert with a number of notable symphony orchestras, touring throughout the U.S. and abroad as Yanni gained worldwide fame. His first show was at the Starplex in Dallas with the Dallas Symphony Orchestra filming a video project. "It was a real trial by fire for me", said Joseph. "First show + 10,000 people + TV cameras equals NERVOUS." He told Jane Fredericksen of the St. Croix Valley Press that "It was a big jump, you don't really realize it at the time, but there's no in-between — going from playing nightclubs to arenas." Some of these early tours included the Reflections of Passion, Revolution in Sound, Dare to Dream, Yanni Live, The Symphony Concerts 1993 and 1994 concert tours, as well as a performance in Germany that was broadcast throughout Europe and seen by 30 to 40 million viewers. Joseph appears on the 1994 multi-platinum album and video, Live at the Acropolis. He recounts, "When I reflect back over the years, one of the high points that stand out include performing at the Acropolis with Yanni. Imagine all these different cultures coming together with the challenges of language, equipment, travel, and weather problems. I still picture the police running their dogs through the dressing rooms to sniff out any bomb possibilities right before the show. People still come up to me and comment how that show has affected their lives."

Generally, Joseph's music gets airplay in the adult contemporary, smooth jazz, easy listening, and beautiful music radio formats, and while some is classified in the new age genre, he considers contemporary instrumental to fit his style of playing the best. In discussing Rapture, John Blake of The Atlanta Journal notes that often new age music sounds as if it should be played in a supermarket. The songs can sound like musical cotton candy — soft, airy and ultimately uninteresting. "For the most part, Bradley's music doesn't make that mistake." "The music is cinematic, filled with introspective piano solos, swelling violins, and a hypnotic song pacing that allows the listener to daydream." Along the same line, Michael Debbage of Mainly Piano says that Rapture almost single-handedly gave a sense of hope that there was much more that the New Age genre could offer. Cicily Janus remarks that, "Although Bradley has been, at times, pigeon holed into an offshoot of jazz, his message through his music is universal in its appeal and soothing qualities."

Joseph is the founder of the Robbins Island Music label. His solo career began when he independently released Hear the Masses, featuring many of his Yanni bandmates. This debut was followed by Rapture, an instrumental album recorded with a 50-piece orchestra in which Joseph wrote and conducted all of the scores. It was released on the Narada label and reached ZMR Airwaves Top 30. A number of subsequent recordings including Christmas Around the World and One Deep Breath also held positions on ZMR's Top 100 radio chart, with the most recent being Paint the Sky which debuted at #15 in April 2013. Paint the Sky was nominated for Best Neo-Classical Album in the 10th annual ZMR Music Awards. He has produced numerous CDs/DVDs and piano books. His music is included in multiple various-artist compilation albums including the 2008 release of The Weather Channel Presents: Smooth Jazz II.

In April 2013, Joseph released his first album of original compositions in 10 years entitled Paint the Sky which debuted at #15 on ZMR's Top 100 Radio Chart. It is self-described as "piano instrumentals with a cinematic feel". He received requests from listeners to do another CD with original compositions that incorporate lush orchestration along with the piano, similar to Hear The Masses and Rapture. Kathy Parsons of MainlyPiano states that "Joseph is obviously a very versatile musician, and there are a lot of influences and musical styles that meld together to make Paint the Sky an exceptional musical experience." Michael Debbage of MainlyPiano writes that Paint the Sky represents Joseph’s most complete recording since his landmark album Rapture. He goes on to say that "whether you have enjoyed Joseph’s more spatial recordings or his deeper embellished adventures, Paint the Sky essential is a musical rainbow of where Joseph has been and where he can potential go."

Paint the Sky (2013) was nominated for Best Neo-Classical Album in the 10th annual ZMR Music Awards.

Debbage depicts "A Minnesota Snowfall" from Christmas Around the World as taking "a more naked, bare-boned ballad approach". While discussing Classic Christmas, Gerry Grzyb, chairman of the University of Wisconsin–Oshkosh sociology department, states that Joseph's usual approach is to play the carol straight, and then add his own twists. "... he's very effective at that—he doesn't stray as far as a jazz or classical organ improviser might, but he does keep the interest up." Grzyb says that the same applies to Joseph's earlier Christmas Around the World CD, which he found even more interesting because of the use of other instrumental sounds.

After requests from listeners for Joseph to do another CD with original compositions that incorporate lush orchestration along with the piano, similar to Hear The Masses and Rapture, Joseph released Paint the Sky in April 2013. It is self-described as "piano instrumentals with a cinematic feel". John P. Olsen of New Age Music World writes that "Paint The Sky ...is best expressed by the near even number of songs with upbeat melodies and lively rhythms, with the balance centered by a light, casual relaxed atmosphere...with importance given to melodic rhythm and phrasing." In another review of Paint the Sky, Bill Binkelman of Wind and Wire says that "Joseph is one of the very best artists when it comes to crafting piano instrumentals augmented by the spot-on application of an assortment of keyboard embellishments, from standard orchestral accompaniment to more textural/new age elements". Kathy Parsons of MainlyPiano states "The thirteen pieces ...range from tender to majestic. Several pieces are solo piano and others are orchestrated with keyboards to give a vibrant, cinematic effect."

Binkleman goes on to say that the song "Into the Big Blue" should instantly call Aaron Copland to mind – it has the same BIG orchestral/cinematic sound to it, along with Copland-esque western rhythm and melodic motifs. Similarly, Debbage states that this song brings to mind the musical opening theme of that old western television show The Big Valley.

Joseph has also produced numerous CDs that include cover arrangements for piano and orchestra. The 2009 release of Suites & Sweets features compositions by Beethoven, Mozart, Bach, and other classical composers. Joseph told Fredericksen that he, "took the best parts and movements out of those classical songs … and made it soft and calm all the way through."

Joseph's music has been heard in regular rotation in the United States and Canada by more than 160 major radio networks including XM and Sirius satellite radio, DMX; in the United Kingdom including RTÉ lyric fm; as well as airwaves in Japan, Spain, China, South-East Asia, Thailand, Germany, Switzerland, and Russia. Airlines such as Aeroméxico, AirTran, Frontier, JetBlue, and ExpressJet feature his music in their in-flight music programs. The Weather Channel also utilizes his compositions during the "Local on the 8s" segments, and the song "Friday's Child" is included in their 2008 compilation release, The Weather Channel Presents: Smooth Jazz II.

Joseph was named one of the "Ten Outstanding Young Minnesotans" (TOYM) of 2004 by the Minnesota Jaycees. In April 2008 he was presented the "WPS Foundation Arts and Academics Hallmarks of Pride" award for outstanding achievements by an alumnus.

Between tours, Joseph worked extensively in recording studios on music ranging from rock and pop to rhythm and blues and orchestration with numerous artists from RCA, Epic, Warner Brothers, and Polygram Records, in addition to performing in an elaborate national keyboard show tour with various musicians. In 2003, he returned for the 60-city Ethnicity tour.

Joseph returned as a featured instrumentalist during Yanni's 2003 Ethnicity world tour, and wrote his sixth album on stage after sound checks. The Journey Continues, a sequel to Solo Journey, features Joseph on solo piano. Debbage writes, "The magical world of movies has a knack for exploring sequels. There is the beauty and beast effect when taking this pathway. The creative beauty allows the viewers to see the continued growth of its characters. The beastly aspect of this exploration is the Hollywood exploitation of an almost guaranteed return on its investment with no regard for its creative progression that usually sees diminishing returns. Bradley Joseph has decided to walk this tightrope by following up with Solo Journey that was released back in 2000. I am glad to report that The Journey Continues is entrenched in beauty, holding up well to its predecessor."

For the 2002 album One Deep Breath, Joseph combines "structured melodic pieces and free-form ambient compositions", which "departs dramatically from the previous more explosive and dynamic music on his first two recordings, Hear the Masses and Rapture". Binkelman writes, "It is an album with two distinct 'feels' to it: the more serene new age/ambient soundscapes that bookend the inner tracks and the more radio-friendly and mainstream music in-between." For instance, the song "Dance of Life" was inspired by Antonín Dvořák's opera, "Rusalka". It is a bit more straightforward in its piano presentation, and will probably appeal the most to hardcore fans of solo instrumental music, says Instrumental Weekly. Then the album closes with its title track, "One Deep Breath", that "floats and meanders for more than ten minutes, bringing in ocean sounds". It is "far and away the most ambient of everything else to be found here", and is "stunning, both in its execution and how radical a change it is from what has come before".

Although Joseph said that working with Narada was a great experience music-wise, he did not like the lack of control over the end product, and asked to be released from his contract. He started Robbins Island Music in 1998, composing, producing, and distributing his own recordings. Solo Journey was released and consists of eleven soft piano compositions that are based on mood and not on melody. It is characterized by Debbage as being a "scaled down introspective, ... and while simplistic was still breath-taking".

Joseph's style attracted the attention of Narada Productions, a Virgin Records subsidiary, via the World Wide Web. A representative for Narada came across his website and downloaded some music. This sparked their interest and resulted in signing Joseph to a multi-record deal, according to Peter Spellman of the Berklee College of Music. The outcome was Rapture, containing intimate piano pieces, quartets, and full orchestral works. It reached ZMR's "Airwaves Top 30" at No. 15 in July 1997. This album was recorded at a number of different studios including Captain and Tennille's studio in Los Angeles, and Pachyderm Studio in Cannon Falls, Minnesota. In addition to a core band including Charlie Adams on percussion, Charlie Bisharat on violin, and Steven Trochlil on clarinet, Joseph brought in a 50-piece orchestra, and conducted and wrote all the scores. Ken Moore of the Naples Daily News cites, "Joseph's music is backed by 15 talented musicians, some playing three or more different instruments, that make up a symphony of sounds ranging from quietly pensive mood music to a rich orchestration of classical depth and breadth." Wind and Wire Magazine contributor, Michael Debbage, recalls, "It was the year 1997 and New Age music had already peaked commercially as the interest and exposure seemed to lag. The genres main labels – Narada, Windham Music, and Higher Octave – were beginning to explore worldly themes versus the warm, earthly, acoustic themes that prior artists had established. It appeared that the abundance of new artists was becoming a dying breed. An exception to the rule was Bradley Joseph, who released his first mainstream album Rapture to glorious reviews, and to this day it remains his tour de force."

In a 1995 interview, he said that after five years of touring with Yanni and working on his own debut album, he needed a break. Yanni was still building his career and maintained a hectic concert schedule. Working with Easton, on the other hand, was "the best of both worlds". "She just adopted a baby and is pretty settled in", said Joseph. Tour venues with her included Japan, Indonesia, Puerto Rico, and the United States, as well as routine appearances in Las Vegas and Atlantic City. In March 1995, he appeared with her on The Tonight Show with Jay Leno when she performed her new single at the time, "My Cherie".

In 1994, between world tours, Joseph released his debut album, Hear the Masses, a self-produced, self-published release under the More Core Records label consisting of 10 original compositions. He invited most of the Yanni band to contribute.

Joseph's musical style and direction have varied over time, having released more than two hundred original compositions and arrangements since 1994. "When I write it, it just kind of moves, because where I am in life is different", Joseph said. "So as I get older, it kind of changes."

In 1989, Joseph recorded his first demo tape and sent it off to Greek composer Yanni, who was looking for someone to replace keyboardist John Tesh, as Tesh was launching his own solo career. When Yanni heard Joseph's compositions and arrangements, he was hired over the phone to join his core band, without ever meeting.

Active since 1983, Joseph has performed in front of millions of people around the world. He played various instruments in rock bands throughout the Midwest until 1989 when Greek composer Yanni hired him for his core band after hearing a tape of his original compositions. He was a featured concert keyboardist with Yanni through six major tours, most recently in 2003 for the 60-city Ethnicity tour. He appears in the multi-platinum album and concert film, Live at the Acropolis. Joseph also spent five years as musical director and lead keyboardist for Sheena Easton, including a 1995 performance on The Tonight Show with Jay Leno.

Bradley Joseph was born in Bird Island, Minnesota and raised in Willmar, Minnesota, graduating from Willmar Senior High School in 1983. He learned how to play piano from a how-to piano book he found in the piano bench. One morning his father taught him how to play a boogie-woogie blues tune and by nightfall he could play the entire piece. He started playing classical piano at age eight, taking lessons for a year and a half but was self-taught thereafter. While in junior high, he took a concert field trip where he saw Buddy Rich perform. He recalls, "I sat in the first row and when Buddy's sax player stood up to take his first solo something just clicked — the world closed in around me. I felt the power of music and knew that it was something special, a gift to be shared." Joseph played piano for the jazz band and choir in high school, and trombone through high school and college. When he picked up the horn, he got a whole new perspective on music, gaining insight into all the different timbres available, which was invaluable to him when he started working with orchestras. The first band he was in was a wedding dance band which allowed him to gain experience in every different style of music from polkas to rock and roll to jazz classics. After attending Moorhead State University as a music major, he led some of his own bands around the area that toured Midwest nightclubs. He played sax and guitar in some of these earlier bands but left them to concentrate on just the piano/keyboards. Later, he started performing with guitarist Dugan McNeill, whose U2-like group was signed to Polygram.

Bradley Joseph (born 1965) is an American composer, arranger, and producer of contemporary instrumental music. His compositions include works for orchestra, quartet, and solo piano, while his musical style ranges from "quietly pensive mood music to a rich orchestration of classical depth and breadth".