Budd Boetticher height - How tall is Budd Boetticher?

The film, Arruza (1972), was both an exquisite documentary and a testament to Boetticher's immutable drive.

He directed a sharp gangster film, The Rise and Fall of Legs Diamond (1960), then, with his wife Debra Paget, left for Mexico to film a monumental documentary on famed matador Carlos Arruza. The travail of the next seven years, which Boetticher detailed in his autobiography "When In Disgrace", included near-fatal illness, divorce, incarceration in jails, hospitals and an insane asylum, and the accidental deaths of Arruza and most of the film crew.

When the Third Army under General George S. Patton got ahead of its supply lines during World War II, Gen. Dwight D. Eisenhower decided to send the Red Ball Express, the nickname of a transportation unit comprised of African-American troops to race ahead of the advancing American forces to catch up with and supply Patton's tank division. The unit became famous for overcoming tremendous odds, and sustaining severe casualties, to successfully supply Patton's forces, a feat memorialized in Boetticher's film Red Ball Express (1952). In 1979 Boetticher, at a symposium at UCLA, revealed that the U.S. Department of Defense pressured Universal Pictures--the film's producer--to alter its portrayal of the tense race relations that existed at the time and to emphasize an upbeat, positive spirit. Commenting on the studio's whitewashing of history, Boetticher said, "The army wouldn't let us tell the truth about the black troops because the government figured they were expendable. Our government didn't want to admit they were kamikaze pilots. They figured if one out of ten trucks got through, they'd save Patton and his tanks".

For producer John Wayne Boetticher filmed his first prominent work, a fictionalization of his own experiences in Mexico, Bullfighter and the Lady (1951), although the work was re-edited without Boetticher's approval by his mentor, John Ford (the director's cut was restored several decades later).

Following a number of sprightly but inconsequential programmers in the early 1950s, Boetticher formed a partnership with actor Randolph Scott which, with the participation of producer Harry Joe Brown and writer Burt Kennedy, led to a string of the most memorable Western films of the 1950s, including 7 Men from Now (1956) and The Tall T (1957).

Brilliant, distinguished American director, particularly of Westerns, whose simple, bleak style disguises a complex artistic temperament. The son of a wealthy hardware retailer, Boetticher attended Culver Military Academy and Ohio State University, where he excelled in football and boxing. Following his schooling Boetticher, something of an adventurer, went to Mexico and transformed himself into a formidable professional matador. His school chum, Hal Roach Jr. , used his film connections to get Boetticher minor jobs in the film industry, most importantly the job of technical adviser on the bullfighting romance Blood and Sand (1941). By studying the work of the film's director, Rouben Mamoulian, and from editor Barbara McLean, he gained a thorough grounding in filmmaking. After an apprenticeship as a studio messenger and assistant director, he was given a chance to direct, first retakes of scenes from other directors' films, then his own low-budget projects.

Biography in: John Wakeman, editor. "World Film Directors, Volume One, 1890-1945". Pages 32-37. New York: The H.W. Wilson Company, 1987.