Charles Bronson height - How tall is Charles Bronson?

With Bronson's death on August 30, 2003, Robert Vaughn became the last surviving actor to have played one of the title characters in The Magnificent Seven (1960). Vaughn died on November 11, 2016 at the age of 83.

Retired from acting after undergoing hip replacement surgery in 1998.

Bronson's final film roles were as police commissioner Paul Fein in a well-received trio of crime/drama TV movies Family of Cops (1995), Breach of Faith: A Family of Cops II (1997) and Family of Cops III: Under Suspicion (1999).

He was considered for Jeff Bridges' role in Blown Away (1994).

The term "Charles Bronson" is frequently uttered in Reservoir Dogs (1992) in reference to a "tough guy".

In the 1990s a lady whom he'd never met left him her estate worth well over a million dollars. She was a big fan of his. Her family sued and he ended up settling with them out of court.

He had two children with his first wife, Tony and Suzanne. He then married Jill Ireland, who had two sons with her first husband, David McCallum. One adopted son (Jason) died of an accidental drug overdose in 1989. He and Ireland had a daughter named Zuleika.

Bronson jolted many critics with his forceful work as murdered United Mine Workers leader Jock Yablonski in the TV movie Act of Vengeance (1986), gave a very interesting performance in the Sean Penn-directed The Indian Runner (1991) and surprised everyone with his appearance as compassionate newspaper editor Francis Church in the family film Yes Virginia, There Is A Santa Claus (1991).

"I am not a Casper Milquetoast," he told "The Washington Post" in 1985, recalling the time he was visiting Rome and felt someone stick a gun in his side. "A guy in broken English asked me for money. I said, 'You give ME money.' He turned around and walked away.".

He and wife Jill Ireland adopted Katrina Holden Bronson after her mother Hilary Holden died in 1983.

He was considered for the lead role in Conan the Barbarian (1982).

He was considered for the role of Snake Plissken in Escape from New York (1981), but director John Carpenter felt Bronson was too old and too tough, and cast Kurt Russell instead.

Bronson remained busy throughout the 1980s, with most of his films taking a more violent tone, and he was pitched as an avenging angel eradicating evildoers in films like the 10 to Midnight (1983), The Evil That Men Do (1984), Assassination (1987) and Kinjite: Forbidden Subjects (1989).

Tested and read for Christopher Reeve's role in Superman (1978).

Was by all accounts a very quiet and introspective collaborator, often sitting in a corner for much of a shoot and listening to a director's instructions and not saying a word until cameras were rolling. Don Siegel, who directed him in Telefon (1977), and Tom Gries, who directed him in Breakheart Pass (1975), both commented on how surprised they were to discover how thoroughly and completely prepared Bronson was when he came to work, as it didn't seem to fit his "laid-back", taciturn image.

Action fans could not get enough of tough guy Bronson, and he appeared in what many fans--and critics--consider his best role: Depression-era street fighter Chaney alongside James Coburn in Hard Times (1975).

That was followed by the somewhat slow-paced western Breakheart Pass (1975) (with wife Jill Ireland), the light-hearted romp (a flop) From Noon Till Three (1976) and as Soviet agent Grigori Borsov in director Don Siegel's Cold War thriller Telefon (1977).

Majestyk (1974).

However, the film that proved to be a breakthrough for both Bronson and Winner came in 1974 with the release of the controversial Death Wish (1974) (written with Henry Fonda in mind, who turned it down because he was disgusted by the script). The US was at the time in the midst of rising street crime, and audiences flocked to see a story about a mild-mannered architect who seeks revenge for the murder of his wife and rape of his daughter by gunning down hoods, rapists and killers on the streets of New York City. So popular was the film that it spawned four sequels over the next 20 years.

Bronson then hooked up with British director Michael Winner to star in several highly successful urban crime thrillers, including The Mechanic (1972) and The Stone Killer (1973). He then scored a solid hit as a Colorado melon farmer-done-wrong in Richard Fleischer's Mr.

He was considered for Gene Hackman's roles in The French Connection (1971), Bite the Bullet (1975) and A Bridge Too Far (1977).

American audiences were by now keen to see Bronson back on US soil, and he returned triumphantly in the early 1970s to take the lead in more hard-edged crime and western dramas, including The Valachi Papers (1972) and the revenge western Chato's Land (1972). After nearly 25 years as a working actor, he became an 'overnight" sensation.

European audiences had taken a shine to his minimalist acting style, and he headed to the Continent to star in several action-oriented films, including Guns for San Sebastian (1968) (aka "Guns for San Sebastian"), the cult western Once Upon a Time in the West (1968) (aka "Once Upon a Time in The West"), Rider on the Rain (1970) (aka "Rider On The Rain") and, in one of the quirkier examples of international casting, alongside Japansese screen legend Toshirô Mifune in the western Soleil rouge (1971) (aka "Red Sun").

Several more strong roles followed, then once again he was back in military uniform, alongside Lee Marvin and Ernest Borgnine in the testosterone-filled The Dirty Dozen (1967).

Sergio Leone once called him "the greatest actor I ever worked with". Leone had wanted Bronson for all three of what became known as the "Man with No Name" trilogy, but Bronson turned him down each time. He turned down the lead role in A Fistful of Dollars (1964) after describing it as the "worst script I have ever seen"; he turned down the role of Col. Douglas Mortimer in For a Few Dollars More (1965) as he wasn't interested; and he turned the role of Angel Eyes in The Good, the Bad and the Ugly (1966) because he was in England filming The Dirty Dozen (1967). Leone eventually cast him as Harmonicac in Once Upon a Time in the West (1968).

Was introduced to his second wife, Jill Ireland, by her then-husband David McCallum during the filming of The Great Escape (1963).

In the latter part of his career, he worked predominantly with The Guns Of Navarone (1961) director J. Lee Thompson. They made nine films together in just over a decade between 1977 and 1989: 10 to Midnight (1983), Caboblanco (1980), Death Wish 4: The Crackdown (1987), The Evil That Men Do (1984), Kinjite: Forbidden Subjects (1989), Messenger of Death (1988), Murphy's Law (1986), St. Ives (1976) and The White Buffalo (1977).

The 1960s proved to be the era in which Bronson made his reputation as a man of few words but much action.

Director John Sturges cast him as half Irish/half Mexican gunslinger Bernardo O'Reilly in the smash hit western The Magnificent Seven (1960), and hired him again as tunnel rat Danny Velinski for the WWII POW big-budget epic The Great Escape (1963).

Indie director Roger Corman cast him as the lead in his well-received low-budget gangster flick Machine-Gun Kelly (1958), then Bronson scored the lead in his own TV series, Man with a Camera (1958).

He received positive notices from critics for his performances in Vera Cruz (1954), Target Zero (1955) and Run of the Arrow (1957).

However, he made an impact on audiences as the evil assistant to Vincent Price in the 3-D thriller House of Wax (1953). His sinewy yet muscular physique got him cast in action-type roles, often without a shirt to highlight his manly frame.

The archetypal screen tough guy with weatherbeaten features--one film critic described his rugged looks as "a Clark Gable who had been left out in the sun too long"--Charles Bronson was born Charles Buchinsky, one of 15 children of struggling parents in Pennsylvania. His mother, Mary (Valinsky), was born in Pennsylvania, to Lithuanian parents, and his father, Walter Buchinsky, was a Lithuanian immigrant coal miner. He completed high school and joined his father in the mines (an experience that resulted in a lifetime fear of being in enclosed spaces) and then served in WW II. After his return from the war, Bronson used the GI Bill to study art (a passion he had for the rest of his life), then enrolled at the Pasadena Playhouse in California. One of his teachers was impressed with the young man and recommended him to director Henry Hathaway, resulting in Bronson making his film debut in You're in the Navy Now (1951). He appeared on screen often early in his career, though usually uncredited.

Changed his stage name in the early 1950s in the midst of the McCarthy "Red Scare" at the suggestion of his agent, who was fearful that his last name (Buchinsky) would damage his career.

In 1949 he moved to California, where he signed up for acting lessons at the Pasadena Playhouse

Was drafted into the army in 1943 and assigned to the Air Corps. At first he was a truck driver, but was later trained as a bomber tail gunner and assigned to a B-29. He flew 25 missions and received, among other decorations, a Purple Heart for wounds incurred in battle.

Shared a room with Jack Klugman in a New York boarding house in the 1940s.