Chris Drury height - How tall is Chris Drury?

In addition to ephemeral works, some of Drury's lasting pieces include "cloud chambers", darkened caverns constructed of local rock, turf, or other materials. Each chamber has a hole in the roof which serves as a pinhole camera; viewers may enter the chamber and observe the image of the sky and clouds projected onto the walls and floor. He has made several around the world, with his latest, Horizon Line Chamber, constructed with master craftsman Andrew Mason, opening in 2019 at Morecambe Bay as part of the Headspace to Headlands Heritage Lottery Commission.

In 2018 Drury was awarded the Lee Krasner Lifetime Achievement Award by the Pollock-Krasner Foundation.

In 2011 Drury's outdoor artwork titled Carbon Sink created controversy when it was installed at the University of Wyoming and was ultimately censored. The sculpture was constructed of coal and burned wood and was intended to highlight the link between climate change and environmental issues in Wyoming, and the specific issue of Wyoming forests extensive infestation with pine beetle. Complaints were received by the president of the university, Tom Buchanan, from members of the public, mining executives, Republican lobbyists and other representatives of energy industries who were aggrieved that the university displayed the sculpture whilst receiving considerable funds from state taxes. Tom Lubnau, Republican speaker of the Wyoming House of Representatives stated he would attempt to ensure "no fossil-fuel-derived tax dollars find their way in the University of Wyoming funding stream." The sculpture was removed on Buchanan's recommendation, with the initial reason given as water damage, which the later release of Buchanan's emails contradicted. Subsequently legislation was passed that means any proposed artwork at the university must "reflect Wyoming’s history of transportation, agriculture and minerals" and be approved by the Wyoming Energy Resources Council, made up of local energy executives, and by Republican governor of Wyoming, Matt Mead. The university was criticised for backing down in the face of commercial pressure, with one professor describing the artwork's removal as an "explicit and abhorrent act of censorship."

From December 2006 to February 2007 he was artist in residence with the British Antarctic Survey where his work included creating ephemeral pieces with the materials of nature, including Wind Vortices, ice prints and ice igloos which he also photographed.

Chris Drury (born 1948 in Colombo, Sri Lanka) is a British environmental artist. His body of work includes ephemeral assemblies of natural materials, land art in the mode associated with Andy Goldsworthy, as well as more permanent landscape art, works on paper and indoor installations. He also works in 3D (three-dimensional) sculpture.

Drury was born in Columbo, Sri Lanka in 1948, his family moving to the UK when he was 6 years old. From 1966 he attended Camberwell College of Arts (at the time known as Camberwell School of Arts and Crafts), studying art and sculpture, where he was taught drawing by artists such as Euan Uglow. After being introduced to him by his dentist, in October 1975 he was invited to accompany walking artist Hamish Fulton on a journey through the Canadian Rockies which he describes as seminal in his transition from traditional sculpture and portraiture to environmental or land art. Initially frustrated by comparisons of his work to leading land artists such as Fulton and Richard Long, his work continued to develop and in 1982 he made what he describes as a "radical departure" and spent a year creating Medicine Wheel in which he explored seasonal change and displayed objects from nature over the course of a year in the form of a large circle. Medicine Wheel was displayed through Coracle, a small independent gallery with whom Drury continued to work intermittently for a number of years, and was eventually given to Leeds City Art Gallery. Drury has largely continued to eschew traditional larger galleries, preferring to distance himself from commercial expectation and production which has allowed him a freedom to work in remote areas and in natural surroundings and to make art in a wide range of unusual collaborations.