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Beckett’s projects include In Training, a look at young soldiers prior to deployment; Hearts and Minds, an investigation of the depiction of Arabs and Muslims during military training exercises; and The Converts, in which she photographed American converts to Islam.

Beckett’s work is held in the collections of the Museum of Fine Arts, Boston; Nelson-Atkins Museum of Art, Kansas City; Wadsworth Atheneum, Hartford; and the Massachusetts Institute of Technology, Cambridge. She has received an Artadia Award, and was artist-in-residence at Light Work. She also worked in a Sufi community in upstate New York.

Beckett’s time as a Peace Corps Volunteer in Benin (2002-2004) had a significant impact on her artwork. She served as a community health worker, living in a rural town with a mixed population of Christians, Muslims, and practitioners of Vodun, the local traditional faith. During these years, the United States was at war in Afghanistan and Iraq. The experience of deep cultural immersion, coupled with hearing firsthand her Beninese neighbors’ criticism of the wars, caused Beckett to view her home country with new eyes. Since then, themes of military training and the tension surrounding Islam in America have been prominent in her work.

Beckett prefers to work with a large-format 4×5 film camera. She has been a visiting faculty member from 2011-2018 at the School of the Museum of Fine Arts at Tufts.

Claire Beckett (born 1978) is an American photographer known for her exploration of post-9/11 America.