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In 2010 Humphrey published Blind Handshake, a collection of reviews written between 1990 and 2008, which includes reviews of well known contemporary artists like Dana Schutz, Peter Saul, Robert Crumb, and John Currin.

The short essay "Describable Beauty" (1996) is characteristic of his perspective as both an artist and critic. In it he writes about a changeable definition of beauty for contemporary art:

David Humphrey began writing criticism in 1990 with a review of an exhibition by Jacqueline Humphries in Lusitania. Several years later he moved to Los Angeles, where he wrote for the arts magazine Art issues until 2003, when the magazine ended.

In 1984 David Humphrey was included in a group exhibition with George Condo, Carroll Dunham, Kenny Scharf, and others called New Hand-Painted Dreams: Contemporary Surrealism at Barbara Gladstone Gallery, which put forward "neo-surealism" as a possible movement. His paintings were characterized in the New York Times as "surrealist-tinged" in a 1996 article on artists writing criticism. Humphrey himself has referred to his work as influenced by the ethos of neo-expressionism, surrealism, cubism, and the metaphysical tradition. His work was most influenced by, and has contributed to, the postmodern shift in painting of the 1970s–1990s, which favored fractured and heterogeneous approaches to form over the modernist preference for progress, refinement, and unity of medium and style. His work incorporates both abstract and figurative elements, often blurring them together, and draws from cartoons, amateur paintings by Dwight D. Eisenhower, old family photographs, and other unconventional sources to create stylistically heterogeneous images.

David Humphrey (born August 30, 1955) is an American painter, art critic, and sculptor associated with the postmodern turn in painting that began in the late 1970s. He is best known for his playful, cartoonish, puzzling paintings, which blend figuration and abstraction and create "allegories" about the medium of painting itself. Humphrey holds a BFA from Maryland Institute College of Art (1977) and a MA from New York University (1980), where he studied with film critic Annette Michelson; he also attended the New York Studio School from 1996 – 1997. He has been the recipient of many awards including the Guggenheim Fellowship in 2002, the Rome Prize in 2008, and the American Academy of Arts and Letters Purchase Award in 2011. He was born in Augsburg Germany and raised in Pittsburgh Pennsylvania. He lives and works in New York City.