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In 2017, in his book Telling today. Metamodernism between narratology, hermeneutics and intermediality, starting from the previous exploration and extending it beyond the limits of USA culture, he tried to develop a theory of the metamodern narratives.

In 2015, after a decade of academic courses and studies, in his book USA Narrative 1984-2014: Novels, Films, Graphic Novels, TV Series, Video-games etc., he outlined the story of contemporary United States narrative fiction.

In 2011 he wrote Italo Svevo, a monographic book on the author.

In the book Dream in Opera. Oneiric Tales and Operatic Texts (2010) he used the Freud's psychoanalysis tools to build a theory about the structural relationship between oneiric and operatic languages.

In the book The Threshold of the Invisible. A Journey into Macbeth: Shakespeare, Verdi, Welles (2005), he deepened the points of the intertextual, inter-semiotic, inter-cultural and intermedial translation focusing on the case of Macbeth (Shakespeare's tragedy, Giuseppe Verdi's opera and Orson Welles's movie)

In 2004 he carried out the philological edition of La coscienza di Zeno and of the unfinished forth novel by Italo Svevo (Il vecchione or Il vegliardo), within The Complete Works of Italo Svevo (3 voll., Milano, Mondadori, ed. by Mario Lavagetto), which imposed itself as the basic edition for any later Svevo's critics.

In his book Shakespeare and romantic opera (2000) he outlined how Shakespeare's plays entered the European continental literature and culture, mostly through French dramatic rewritings during the XVIII Century and, after the romantic consecration, through Italian operatic adaptations during the XIX Century.

In his very first book Story and Plot (1998) and in the following The Narrative Text (2005) he explored possibilities of classical narratology to define the recurring structures of narrative texts in modern, modernist and postmodernist traditions.

Between 1996 and 2001 he gave seminars on Literary Theory and Comparative Literature at University of Bologna. Between 2001 and 2002 he was lecturer of Italian Contemporary Literature at University of Modena and Reggio Emilia. Between 2002 and 2007 he was associate professor of Comparative Literature and Music and Image at IULM University of Milan. Since 2018 he is full professor at the same University, where he also coordinates a Master (Television, cinema and new media) and a Multimedia Laboratory, and is a member of the board of Visual and Media Studies Ph.D.

In 1995 he graduated in Modern Literature at University of Bologna under the supervision of Mario Lavagetto. In 1999 he got a Ph.D. in Literary Theory at University of Bergamo.

Fabio Vittorini (born 19 December 1971) is an Italian literary critic, currently Professor of Comparative Literature at IULM University of Milan (Italy) He is known for his studies on opera and on metamodern narratives. He is the author of many books and articles.