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Accompanied by his longtime partner (43 years) and collaborator, Robert Calhoun held a sold out "Evening with Farley Granger" at the Film Forum Theater to promote his autobiography "Include Me Out: My Life From Goldwyn to Broadway". [April 2007]

More recent films include The Prowler (1981), Death Mask (1984), The Imagemaker (1986) and The Next Big Thing (2001).

He then returned to Italy, where he made a series of films, including The Challengers (1970) with 'Anne Baxter (I)', The Man Called Noon (1973) with Richard Crenna and Arnold (1973) with Stella Stevens.

Over the next ten years Granger worked extensively on television and the stage, mainly in stock, and returned to films in Rogue's Gallery (1968) with Dennis Morgan.

His longtime partner (since 1963), Robert Calhoun, collaborated with Farley on his 2007 memoir "Include Me Out: My Life from Goldwyn to Broadway".

Granger's first Broadway appearance was in "First Impression," a musical version of "Pride and Prejudice" with Polly Brgen in 1959.

He did a Broadway play in 1955, "The Carefree Tree", and then returned to films in The Naked Street (1955) with Anthony Quinn and Anne Bancroft and The Girl in the Red Velvet Swing (1955) with Joan Collins and Ray Milland.

He went to Italy to make Senso (1954) for Luchino Visconti with Alida Valli, one of his best films.

Henry's Full House (1952) with Jeanne Crain, Hans Christian Andersen (1952) with Danny Kaye, The Story of Three Loves (1953) with Leslie Caron and Small Town Girl (1953) with Jane Powell.

He returned to Hitchcock for the best role of his career, as the socialite tennis champ embroiled in a murder plot by psychotic Robert Walker in Strangers on a Train (1951). He then appeared in O.

Since the 1950s he has continued to work frequently on American television and, in 1980, returned to Broadway and appeared in Ira Levin's successful play "Deathtrap".

Other roles followed, including Roseanna McCoy (1949) with Joan Evans, Our Very Own (1950) with Ann Blyth and Side Street (1950), again with Cathy O'Donnell.

After his release he had to wait until Nicholas Ray cast him in the low-budget RKO classic They Live by Night (1948) with Cathy O'Donnell, and then he was recalled by Goldwyn, who signed him to a five-year contract.

He then made Rope (1948) for Alfred Hitchcock and followed up for Goldwyn with Enchantment (1948) with David Niven, Evelyn Keyes and Teresa Wright.

He followed it up with a much bigger part in The Purple Heart (1944) and then joined the army.

Right out of high school, he was brought to the attention of movie producer Samuel Goldwyn, who cast him in a small role in The North Star (1943).

In his book "Original Story By: A Memoir of Broadway and Hollywood," playwright and screenwriter Arthur Laurents detailed his live-in relationship with Granger during the 1940s and '50s. Laurents and Granger were already romantically involved when Laurents wrote the screenplay for Rope (1948), in which Granger co-starred.

Farley Earle Granger was born in 1925 in San Jose, California, to Eva (Hopkins) and Farley Earle Granger, who owned an automobile dealership.