Graham Reynolds height - How tall is Graham Reynolds?

Graham Reynolds was born on 5 March, 1971 in Frankfurt, Germany, is an American musician (born 1971). At 49 years old, Graham Reynolds height not available right now. We will update Graham Reynolds's height soon as possible.

Now We discover Graham Reynolds's Biography, Age, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of net worth at the age of 51 years old?

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Graham Reynolds Age 51 years old
Zodiac Sign Pisces
Born 5 March 1971
Birthday 5 March
Birthplace Frankfurt, Germany
Nationality Germany

We recommend you to check the complete list of Famous People born on 5 March. He is a member of famous Musician with the age 51 years old group.

Graham Reynolds Weight & Measurements

Physical Status
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
Parents Not Available
Wife Not Available
Sibling Not Available
Children Not Available

Graham Reynolds Net Worth

He net worth has been growing significantly in 2021-22. So, how much is Graham Reynolds worth at the age of 51 years old? Graham Reynolds’s income source is mostly from being a successful Musician. He is from Germany. We have estimated Graham Reynolds's net worth , money, salary, income, and assets.

Net Worth in 2022 $1 Million - $5 Million
Salary in 2022 Under Review
Net Worth in 2021 Pending
Salary in 2021 Under Review
House Not Available
Cars Not Available
Source of Income Musician

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Timeline

2019

Reynolds’ regular performance and recording vehicle, Golden Arm Trio, is a band in name only, with Reynolds the sole constant member. The Austin, Texas based band has performed throughout the US, released three CDs in addition to the soundtrack to the Warner Brothers’ film A Scanner Darkly.

2009

In the early stages of his career, Graham's work in the world of dance started with short experimental collaborations with the Ellen Bartel Dance Collective, which then grew into several projects with Andrea Ariel. He has since worked consistently with two key partners. With choreographer Stephen Mills of Ballet Austin, he has scored, through both recorded and live performance methods, six large scale works, including: Cult of Color, a collaboration with visual artist Trenton Doyle Hancock, Belle Redux, and Bounce, which toured through seventeen cities across China. His collaborations with Allison Orr of Forklift Danceworks started in 2009, with The Trash Project; the documentary directed by Andy Garrison following the project took the work national, while other projects, such as Play Ball Kyoto, have traveled internationally. Most recently, Graham provided live scoring for the MAP Award Winning and NEA funded My Park, My Pool, My City series as well as Served, each building on Orr's socially-engaged practices. Music for dance is a realm of passion for Graham, resulting from the life-long influence of several of the Diaghilev commissioned ballets; works that lived beyond their initial intent but continue to tell a story.

2008

In 2008, Golden Hornet received official 501(c)3 designation and has since grown in capacity, as well as become more clarified in mission: one of commissioning new music, fostering young and emerging composers, and presenting adventurous works in non-traditional settings.

2001

After many experimental shorts and several live scores for silent films, Graham's first feature film score was The Journeyman (2001), a grim, Sergio Leone-inspired western featuring Willie Nelson. His relationship with iconic independent film director Richard Linklater (Slacker, Dazed and Confused, School of Rock), started with a simple piano score for the documentary short, “Live from Shiva’s Dance Floor” in 2003. Not long after, Linklater asked Graham to score A Scanner Darkly (2006), which Linklater was adapting from the Philip K. Dick novel. Keanu Reeves, Robert Downey Jr., Woody Harrelson, and Winona Ryder starred in the rotoscoped film. The score, which featured acoustic instruments and electric guitar processed through computer effects, was declared “Best Soundtrack of the Decade” by Cinema Retro Magazine. Completing and releasing A Scanner Darkly changed Graham's life, propelling his musical career forward. A consistent number of collaborations with Linklater have followed: Bernie (2011) starring Jack Black, which required totally different music - hymns, strings, country; Up to Speed (2012), starring Speed Levitch and broadcast by Hulu; Before Midnight (2013), the third of Linklater's romantic trilogy featuring Julie Delpy and Ethan Hawke, which premiered at Sundance. Graham has also continued work with a variety of other collaborators apart from Linklater, including The Diplomat (2015) for HBO and Rooster Teeth's series Day 5 (2016-2017). Beyond his scoring work with major collaborators, Graham has composed and performed several live scores for silent films, including Battleship Potemkin(1925), Nosferatu (1922), Wings (1927), Metropolis (1927) and Alfred Hitchcock's The Lodger (1927).

2000

Much in the same way as his collaborations in dance, Graham has narrowed in on two consistent key partners in theatre. While his presence in theatre started with lights in high school, and expanded into various work throughout Austin, his first collaboration with Rude Mechanicals (Rude Mechs) was In The House of Moles (2000), a relationship which blossomed into his current company membership with them, since 2003. He composed the original score and designed sound for the Creative Capital Award Winning The Method Gun (2007), The Lincoln Center commission Stop Hitting Yourself (2014), and the Yale Repertory commission Field Guide (2017). In total, the relationship has resulted in ten complete works. Simultaneously, his relationship with Salvage Vanguard Theater also developed, from Cry Pitch Carrolls (1999), the first in a series of collaborations with Ruth Margraff, and The Intergalactic Nemesis (2000), which split off from the company and had nearly a decade of international touring, deepening the network and connections with presenters.

1990

In the early 1990s, some of Graham's most personal works in the realm of concert music struggled to line up with the right spaces, presenters, and funding. Alongside Peter Stopschinski, another composer-bandleader that was a part of the burgeoning rock and punk scene of Austin, Graham began to apply the collective creation and self-production methods of the rock scene to the world of classical music. Golden Hornet formed, starting with Six Pieces for String Quartet (1999), performed by Tosca String Quartet. Collaborations with Austin Lyric Opera, Glenn Kotche, local high school orchestras, and many others followed, ranging from percussion pieces to Shostakovich. Graham and Peter produced, curated, and commissioned all of the works, including Mozart Requiem Undead (2014), resulting in over 150 artists performing, with contributions from DJ Spooky, Pulitzer Prize winning composer Caroline Shaw, and many others.