Hal Mohr height - How tall is Hal Mohr?
Hal Mohr (Harold Leon Mohr) was born on 2 August, 1894 in San Francisco, California, USA, is a cinematographer,director,camera_department. At 80 years old, Hal Mohr height is 6 ft 2 in (188.0 cm).
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6' 2"
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6' 0"
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6' 0"
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6' 0"
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6' 3"
Now We discover Hal Mohr's Biography, Age, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of net worth at the age of 80 years old?
Popular As |
Harold Leon Mohr |
Occupation |
cinematographer,director,camera_department |
Hal Mohr Age |
80 years old |
Zodiac Sign |
Leo |
Born |
2 August 1894 |
Birthday |
2 August |
Birthplace |
San Francisco, California, USA |
Date of death |
10 May, 1974 |
Died Place |
Santa Monica, California, USA |
Nationality |
USA |
We recommend you to check the complete list of Famous People born on 2 August.
He is a member of famous Cinematographer with the age 80 years old group.
Hal Mohr Weight & Measurements
Physical Status |
Weight |
Not Available |
Body Measurements |
Not Available |
Eye Color |
Not Available |
Hair Color |
Not Available |
Who Is Hal Mohr's Wife?
His wife is Evelyn Venable (7 December 1934 - 10 May 1974) ( his death) ( 2 children), Claire Delmar (1926 - 1929)
Family |
Parents |
Not Available |
Wife |
Evelyn Venable (7 December 1934 - 10 May 1974) ( his death) ( 2 children), Claire Delmar (1926 - 1929) |
Sibling |
Not Available |
Children |
Not Available |
Hal Mohr Net Worth
He net worth has been growing significantly in 2021-22. So, how much is Hal Mohr worth at the age of 80 years old? Hal Mohr’s income source is mostly from being a successful Cinematographer. He is from USA. We have estimated
Hal Mohr's net worth
, money, salary, income, and assets.
Net Worth in 2022 |
$1 Million - $5 Million |
Salary in 2022 |
Under Review |
Net Worth in 2021 |
Pending |
Salary in 2021 |
Under Review |
House |
Not Available |
Cars |
Not Available |
Source of Income |
Cinematographer |
Hal Mohr Social Network
Instagram |
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Linkedin |
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Twitter |
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Facebook |
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Wikipedia |
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Imdb |
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Timeline
He was very impressed with the actress, commenting: "She just knows from the heat of the light on her when she is right for the camera" (New York Times,May 12 1974).
In 1957, Hal also won the George Eastman Award for Distinguished Contribution to the Art of Film.
Among other representative examples of Hal Mohr's best work in Hollywood one has to include Another Part of the Forest (1948) and The Wild One (1953).
Howard Greene for his colour photography of Universal's Phantom of the Opera (1943).
He also shot two classic films with Marlene Dietrich: Destry Rides Again (1939) and Rancho Notorious (1952).
For the Errol Flynn swashbuckler Captain Blood (1935), Hal seamlessly integrated live action shots with 18 foot-long model ships and location footage with back-lot shots.
He won the first of two Academy Awards (uncontested, through a 'write-in campaign') for A Midsummer Night's Dream (1935). His second Academy Award, he shared with W.
Hal Mohr and his third wife, Evelyn Venable, were introduced by Will Rogers on the set of David Harum (1934). Rogers was also the best man at their wedding -- not long before Rogers died in a plane crash.
In the 1930's, he was one of the first to employ deep-focus photography in films like Bullets or Ballots (1936) and The Green Pastures (1936).
Significantly, he was director of photography on the first ever all-talking picture, The Jazz Singer (1927). Over the years, Hal Mohr acquired a deserved reputation for best serving each director's needs by creating the exact look and mood required for each film.
In 1921, Hal became a fully-fledged director of photography. Many of his early efforts were low budget productions although he compensated for the lack of expensive sets by embracing elements of the German expressionist movement: symbolism, stylised images, sombre lighting - all designed to create mood and evoke a more profound understanding and emotive reaction to the subject. Having spent almost a year in Paris post-war, Hal had studied European film-making techniques.
During the 1920's, he worked closely with noted exponents of expressionism, including the directors Paul Leni and Michael Curtiz. He was an innovator in the use of boom and dolly shots, producing exciting new visual effects.
Distinguished pioneering cinematographer who had a career in motion pictures lasting six-decades. As a teenager, Hal built his own camera while still at school and took photos of local interest which he then developed and printed. He sent a number of these pictures to the New York Herald-Tribune and they were deemed good enough to invite interest from Hollywood. After doing some free-lance work he was hired to shoot newsreels for Sol Lesser's company, General Films. In 1915, he began working in Hollywood, first as a film cutter at Universal, eventually graduating to assistant director. During the latter stages of the First World War he worked for the photographic unit of the U. S. Army, and, afterwards, shot documentaries before turning his attention to motion pictures.