Jim Lee height - How tall is Jim Lee?

In 2020, Lee became DC's sole publisher.

In June 2018, Geoff Johns stepped down from his position as Chief Creative Officer (CCO) of DC Comics. Lee was named as Johns' replacement in the role, while continuing to serve as a co-publisher.

Lee was one of the main artists for the miniseries "Batman: Europa", which lasted 4 issues (January-April, 2016). The series featured an adventure of Batman and the Joker entirely set in Europe, and was inspired by Lee's visit of Italy. It is one of the few stories to feature Batman and the Joker as allied to each other, as they team-up against a mysterious new enemy. Their common foe was eventually revealed to be Bane, who wanted to teach them a lesson, about how dependent on each other they were in his view.

Also in 2016, Lee was the main artist for the one-shot publication "Harley Quinn and the Suicide Squad April Fool's Special". Lee was the main artist of the ongoing series "Suicide Squad" vol.

5 from issue #1 to issue #8 (October 2016 to February 2017). His version of the team prominently featured the character Harley Quinn/Harleen Quinzel.

In 2014, the company General Mills commissioned DC Comics to redesign its monster-themed cereals. Lee personally redesigned the character Boo Berry. He commented in an interview that he found "the task of designing a cartoon character" to be more difficult than drawing his typical detailed designs for comics.

In 2013, Lee redesigned the Mortal Kombat ninja character Scorpion/Hanzo Hasashi. His version of the character was used in the video game "Injustice: Gods Among Us".

Also in 2013, Lee became a member of the Advisory Board of the Comic Book Legal Defense Fund, a non-profit organization chartered to protect the First Amendment rights of the comics community.

Lee's first landmark publication as a publisher was "The New 52" event of 2011. DC Comics canceled all of its superhero titles, and then launched 52 new series with #1 issues. The event wiped out the continuity of the DC Universe, and introduced a new continuity.

From 2010 to 2020, Lee served as a co-publisher of DC Comics, running the company alongside his then-partner Dan DiDio.

In February 2010, Lee was appointed as the new co-publisher of DC Comics, sharing duties with Dan DiDio (1959-).

In September 2010, the WildStorm imprint was shut down. Several of its characters were later reused by mainstream DC Comics publication.

Lee next worked on the series "All Star Batman & Robin, the Boy Wonder", which lasted for 10 issues (September 2005-August 2008). The series was a new origin story for Robin/Dick Grayson, and also covered the early career of Batman/Bruce Wayne.

The series was plagued by schedule delays, as Lee was concurrently involved with designing content for the video game with designing content for the video game "DC Universe Online",In 2006, Lee was involved with a relaunch of the "Wildcats" series. He provided the artwork for the first issue of "Wildcats" volume 4, which turned out to be the only one published.

Lee's next high-profile comics work was the 12-issue story arc "For Tomorrow" (June 2004-May 2005), featuring Superman. In this story, Superman is puzzled by the mysterious disappearance of 1 million people. Among the victims was his wife Lois Lane, and Superman was struggling with feelings of personal loss and guilt over her fate. The story arc also featured a guest appearance by Wonder Woman/Diana of Themyscira, and the return of the prominent super-villain General Zod. Lee's artwork in this story arc was highly praised, though the script by Brian Azzarello was met with lukewarm reviews.

The first issue of the series was the highest-selling comic book of 2005, and the series in general enjoyed high sales. Lee's artwork was among the series' main selling points, though the script by Frank Miller was poorly received.

In the early 2000s his most notable work was the 12-issue story arc "Batman: Hush" (October 2002-September 2003). The story arc introduced new super-villain Hush/Thomas Elliot, involved several Batman villains in an elaborate scheme, and explored the romantic relationship of Batman/Bruce Wayne and Catwoman/Selina Kyle. The story arc received critical acclaim.

In 2003, Lee designed the super-villain Sin Tzu, introduced in the beat 'em up video game "Batman: Rise of Sin Tzu", The video game was a spin-off the animated television series "The New Batman Adventures" (1997-1999). It was the last video game based on the DC Animated Universe. Sin Tzu was depicted as an Asian warlord and master strategist. The character was later adapted into the mainstream Batman comics.

In 1998, Lee sold WildStorm to DC Comics.

WildStorm continued to exist as a DC imprint from 1998 to 2010, with Lee continuing to run the company.

In 1998, Lee sold WildStorm to DC Comics. He continued to run the company as an imprint of DC Comics. Meanwhile, he returned to work as an artist.

The project concluded in 1997, though Marvel was initially willing to continue the Heroes Reborn lineup indefinitely. Marvel wanted Lee to personally draw at least one of the ongoing titles, but Lee was unwilling to make a long-term commitment to Marvel. Following "Heroes Reborn" conclusion, Lee negotiated another deal with Marvel. He was scheduled to serve as a new editor for Marvel, handling relaunched versions of the Defenders, Doctor Strange/Stephen Strange, and Nick Fury.

All three titles were scheduled for debuts in December 1997, but this agreement was canceled prematurely. Returning to WildStorm, Lee published a number of new titles. The most successful among them were "The Authority" and "Planetary". The Authority featured the eponymous superhero team, which operated beyond the constrains of laws and politics.

His most notable work in this period was the 12-issue series "Divine Right: The Adventures of Max Faraday" (1997-1999), It featured Lee's new character, novice computer scientist Max Faraday. The concept of the series was that Faraday accidentally downloaded access codes to the Creation Wheel, a millennia-old device that can grant its users with the power of God. He then found himself targeted by people wanting this power for themselves.

From 1996 to 1997, Lee was involved with a new Marvel Comics project, called "Heroes Reborn". The concept involved the relaunch of previously defunct Marvel series, featuring classic characters with new origin stories and updated settings. Lee took over the Fantastic Four title as both writer and illustrator, and also served as the new writer for Iron Man/Tony Stark. Meanwhile, Rob Liefeld took over the titles of Captain America and the Avengers. Lee's two titles proved commercially successful, while Liefeld's titles were controversial. Liefeld left the "Heroes Reborn" project earlier than expected, and Marvel assigned both Captain America and the Avengers to Lee's studio.

In 1993, Lee negotiated a deal with Valiant Comics for a crossover series featuring characters from both companies. The result was the then-popular miniseries "Deathmate". As WildStorm expanded, Lee published creator-owned comics by several notable comics professionals.

In 1992, Lee became a co-founder of Image Comics.

From 1992 to 1998, Lee was the owner and publisher of WildStorm Productions.

Lee served as the title's co-writer and main artist from issue #1 to issue #11 (October, 1991-August, 1992). The fist issue had sales of over 8. 1 million copies, becoming the new record holder for best-selling issues. During his ran on "X-Men" vol. 2, Lee designed new uniforms for the team. This included popular and long-lasting costumes for Cyclops/Scott Summers, Phoenix/Jean Grey, Rogue/Anna Marie, and Storm/Ororo Munroe.

These costume designs were later used for "X-Men: The Animated Series" (1992-1997). Lee created relatively few new characters for the X-Men. Among his creations for the title were Anne Marie Cortez (in issue #1), Fabian Cortez (in issue #1), Chrome/Allen Marc Yuricic (in issue #1), Harry Delgado (in issue #1), Marco Delgado (in issue #1), Nance Winters (in issue #1), Omega Red/Arkady Rossovich (in issue #4), Maverick/Christoph Nord (in issue #5), Janice Hollenbeck (in issue #5), Arthur Barrington (in issue #6), Birdy (in issue #6), Meek (in issue #7), Belladonna/Bella Donna Boudreaux (in issue #8), and Julien Boudreaux (in issue #8).

He served in this position from issue #267 to issue #277 (September, 1990-June, 1991).

In 1991, Marvel launched a second ongoing X-Men title, simply called "X-Men" vol. 2.

By the early 1990s, he had become one of the most popular artists in the field. His work on the X-Men broke sales records, and the costumes he designed for various team members defined their looks for at least a decade.

He continued serving as a cover artist for the series until 1990. His second assignment was becoming an artist for the series "Punisher: War Journal", featuring the lethal vigilante Punisher/Frank Castle.

He served as a regular artist from issue #4 to issue #19 (March, 1989-June, 1990). His artwork for the title showcased Lee's inspiration from the works of Frank Miller, Kevin Nowlan, Whilce Portacio, and David Ross. It was also influenced by Lee's affection for Japanese manga.

Lee was then asked to draw issues #256-258 (December, 1989-February, 1990), covering a multi-part story that was part of the crossover "Acts of Vengeance". The issues marked the return of the missing character Psylocke/ Elizabeth "Betsy" Braddock. In the period since her disappearance, Psylocke had mysteriously lost her original body, acquired a new Asian body, and acquired new ninja skills. Lee got to essentially redesign the character in an entirely new form. He also designed two new costumes for her, including her classic ninja outfit. Lee was eventually promoted to the position of main artist for "Uncanny X-Men" , at the time one of Marvel's high-profile titles.

In the early 1990s, there were tensions within Marvel Comics because of the company's work-for-hire policies. The company heavily merchandised the artwork of their most prominent artists, but compensated these artists with modest royalties. Disgruntled with their relatively meager earnings and their lack of copyright over characters and concepts which they created, a number of these artists eventually broke away from Marvel. Lee was among them.

While Lee was prolific as a publisher in the late 1990s, his output as a writer and artist was rather limited.

Lee first got to work in an X-Men title when asked to draw "Uncanny X-Men" #248 (September, 1989).

He served as a regular artist for the team book (on-and-off) from issue #53 to issue #64 (December, 1987-November, 1988). .

Jim Lee is a Korean American comic-book writer and artist. He started his professional career in 1987, as a new artist for Marvel Comics.

1976, when he was 12-years-old. He first learned the Korean language in early childhood, and learned English as a secondary language. He was raised in a typical middle-class family. Lee attended the River Bend Elementary School, located in Chesterfield, Missouri. He received his secondary education at the Saint Louis Country Day School, an all-boys school located in Ladue, Missouri. The school had grades from junior kindergarten to grade 12. Lee's first artistic activity was drawing posters for school plays. As a school student, Lee reportedly felt as an outsider. He was a middle-class student in an upper-class school with a "preppy" style. His feelings of being an outsider influenced his reading habits. He was interested in comic books about outsider characters. His favorite characters were the X-Men, an entire group of outcasts. While Lee designed art as a hobby, he was not initially interested in a professional career as an artist. Following his high school graduation, he enrolled at Princeton University to study psychology. He graduated with a psychology degree, but felt reluctant to then attend medical school. He decided to try to become a professional comic book artist, although he lacked professional training at the time. Lee submitted artwork to various publishers, but nobody was interested in hiring him. A number of professional comics artists advised him to contact editors in person.

Lee was named as one of the main architects of the event, sharing duties with writer Geoff Johns (1973-).

It was handled by the creative team of Warren Ellis and John Cassaday (1971-).

The series was initially handled by the creative team of Warren Ellis (1968-) and Bryan Hitch (1970-). "Planetary" featured alternate versions of characters from many companies and genres, interacting with each other in a shared reality.

In 1964, Lee was born in Seoul, the capital of South Korea. His family soon moved to the United States, and Lee was primarily raised in St. Louis, Missouri. He became a naturalized citizen of the United States c.

He co-founded Image Comics with his then-partners : Erik Larsen (1962-), Rob Liefeld (1967-), Todd McFarlane (1961-) , Whilce Portacio (1963-), Marc Silvestri, and Jim Valentino (1952-). Image Comics devoted itself to publishing creator-owned titles. Each image partner (except Portacio) also established their own company, with each of the 6 companies publishing their titles under the Image banner. These companies were autonomous from any central editorial control, and did not operate as subsidiaries of Image. Lee initially named his company Aegis Entertainment, but quickly renamed it to WildStorm Productions. WildStorm's initial title was "Wildcats" (sometimes rendered "WildCats" or "WildC. A. T. s"), featuring a team of eponymous superheroes. The characters involved were created by Lee himself and his friend Brandon Choi. The concept of the series involved a centuries-long war between two alien races which secretly lived on Earth, the Kherubim and Daemonites. The Wildcats were mostly composed of Kherubim-human hybrids. The Kherubim were humanoid in appearance, nearly immortal, and rendered nearly sterile over the centuries. Only one in 10,000 Kherubim females was capable of giving birth. Kherubim hybrids were seemingly more fertile than their ancestors. The Daemonites were reptilian in appearance, and they were a parasitic race. They survived by taking over host bodies from various species. They also had various powers, most prominently telepathy. "Wildcats" was a commercially successful title, and WildStorm was then able to produce more titles. Lee created or co-created such characters as the super-powered soldier and mercenary Deathblow/Michael Cray, the teenage superhero team Gen¹³, and the United Nations-sponsored heroic team Stormwatch. They all starred in their own series.

The series' intended writer Grant Morrison (1960-) was preoccupied with other projects, and never scripted more than one issue. The series was canceled after that.

Lee was filling-in for the series' regular artist at the time, Marc Silvestri (1958-).

In this period WildStorm also launched the imprint "America's Best Comics" (ABC) under the control of veteran writer Alan Moore (1953-). The imprint published then-popular series, such as "The League of Extraordinary Gentlemen", "Promethea", "Tom Strong", "Tomorrow Stories", and "Top 10".

He worked with writer Chris Claremont (1950-) and inker Scott Williams. During his run of the title, Lee co-created the Cajun thief Gambit/Remy LeBeau. Created as a new member of the X-Men's supporting cast, Gambit eventually joined the team, and became one of its most popular members. Lee's art style was enthusiastically received by readers, and he was soon considered one of Marvel's most popular artists.

While attending a comics convention in New York, Lee was introduced to veteran comics writer Archie Goodwin (1937-1998). Goodwin at the time served as an editor for Marvel Comics, and helped Lee to get hired by Marvel. Lee's first professional assignment was serving as an artist for the series "Alpha Flight", featuring a group of Canadian superheroes.