John Brahm height - How tall is John Brahm?

John Brahm (Hans Brahm) was born on 17 August, 1893 in Hamburg, Germany, is a director,assistant_director,production_manager. At 89 years old, John Brahm height is 5 ft 8 in (175.0 cm).

Now We discover John Brahm's Biography, Age, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of net worth at the age of 89 years old?

Popular As Hans Brahm
Occupation director,assistant_director,production_manager
John Brahm Age 89 years old
Zodiac Sign Leo
Born 17 August 1893
Birthday 17 August
Birthplace Hamburg, Germany
Date of death 12 October, 1982
Died Place Malibu, California, USA
Nationality Germany

We recommend you to check the complete list of Famous People born on 17 August. He is a member of famous Director with the age 89 years old group.

John Brahm Weight & Measurements

Physical Status
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Who Is John Brahm's Wife?

His wife is Dolly Haas (27 October 1937 - 1941) ( divorced), Anna Bruni (? - 1960) ( divorced) ( 2 children)

Family
Parents Not Available
Wife Dolly Haas (27 October 1937 - 1941) ( divorced), Anna Bruni (? - 1960) ( divorced) ( 2 children)
Sibling Not Available
Children Not Available

John Brahm Net Worth

He net worth has been growing significantly in 2021-22. So, how much is John Brahm worth at the age of 89 years old? John Brahm’s income source is mostly from being a successful Director. He is from Germany. We have estimated John Brahm's net worth , money, salary, income, and assets.

Net Worth in 2022 $1 Million - $5 Million
Salary in 2022 Under Review
Net Worth in 2021 Pending
Salary in 2021 Under Review
House Not Available
Cars Not Available
Source of Income Director

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Timeline

1968

Brahm retired in 1968.

1955

He directed some of the best-loved episodes of Alfred Hitchcock Presents (1955), The Outer Limits (1963), The Alfred Hitchcock Hour (1962) and, especially, The Twilight Zone (1959) ("Time Enough at Last" comes to mind, in particular).

1954

Another of Brahm's films, not in the same league as the aforementioned, but nonetheless quite enjoyable, is The Mad Magician (1954). Something of a precursor to the cycle of low-budget horror films Vincent Price was later to make at American-International, it was shot in the experimental 3-D process.

1953

What the picture lacked in a visceral sense, it made up for in period detail and in an enjoyable star performance reminiscent of the earlier House of Wax (1953).

1950

By the mid-1950's, Brahm had segued from films to television, but never strayed far from the macabre.

1944

At Fox, Brahm directed two masterpieces back-to-back: the stylish and moody 'Jack the Ripper' look-alike The Lodger (1944); and, in a similar vein, Hangover Square (1945), a gothic melodrama about insanity and murder, set in Victorian London. Both films starred the excellent, sadly short-lived, actor Laird Cregar, whose professionalism and finely-etched performances Brahm greatly appreciated. Much of the credit for the pace and detail of these films belongs to Brahm himself, who meticulously mapped out every scene and camera angle before shooting commenced.

1937

Having anglicised his first name to John, he arrived in Hollywood in 1937 and was signed to a three-year contract at Columbia (1937-40), followed by another three years with 20th Century Fox (1941-44). Brahm specialised in suspense thrillers, often with psychological undertones, at times involving madness. His affinity with filming the sinister and the grotesque had much to do with the influence of his uncle Otto, once an influential theatrical producer.

1936

Griffith's Broken Blossoms (1936). A year later, he moved on to the U. S. .

1934

The son of comedian and theatre director Ludwig Brahm, Hans followed in his father's footsteps and began his career on the stages of Vienna, Berlin and Paris. Again, like his father, he graduated to directing and had his first fling with the film business as a dialogue director for a Franco/German co-production, starring his future wife Dolly Haas. Hans went to England in 1934 to escape Nazi persecution (and to avoid being caught up in another war, having spent much of the previous conflagration as a conscript on the Russian Front). After a brief spell as a production supervisor, Brahm made his directing debut with an undistinguished remake of D. W.

1926

Otto introduced his nephew to the dark and fantastic elements of classic German expressionist cinema, including films like Faust (1926).