John Mills height - How tall is John Mills?

After a brief illness, Sir John Mills died at the age of 97 on April 23, 2005, in Denham, Buckinghamshire, England. He was survived by his widow (who survived him by eight months), his son Jonathan, his daughters Juliet and Hayley, and his grandson Crispian Mills, the lead singer of the hit pop music group Kula Shaker.

Hospitalised with a severe chest infection in August 2002.

Mary's Church, next to their home, Hills House, in Denham, England, in 2001.

Ranked #88 in Empire (UK) magazine's "The Top 100 Movie Stars of All Time" list. [October 1997]

He was honored with a British Film Institute Fellowship in 1995 and was named a Disney Legend by The Walt Disney Co.

Although he suffered from deafness and failing eyesight and went almost completely blind in 1990, he continued to act, playing both blind and sighted characters with his customary joie de vivre and panache.

His only other Broadway appearance was in the 1987 revival of George Bernard Shaw's "Pygmalion," in which he played Alfred Doolittle. The play was nominated for a Tony for Best Revival, and Amanda Plummer, playing his character's daughter, Eliza, also received a Tony nomination.

The British Academy of Film and Television Arts honored him with a Special Tribute Award in 1987 and a Fellowship, its highest award, in 2002.

He was considered for the roles of Dr. Hans Fallada, Dr. Armstrong and Sir Percy Heseltine in Lifeforce (1985).

In the encyclopedic compendium "OSCAR A to Z" by Charles Matthews, it is falsely stated that Mills died in 1982.

Mills' most famous television role was probably the title character in ITV's Quatermass (1979).

When he won the 1971 Best Supporting Actor Academy Award, Mills was the only winner present at the ceremony to accept his acting award. The other three winners of Academy Awards for acting that year, George C. Scott, Glenda Jackson, and Helen Hayes, didn't attend the awards. ceremony.

Almost 40 years after his film debut, Mills won the Best Supporting Actor Academy Award for playing the mute village idiot in Lean's Ryan's Daughter (1970), an uncharacteristic part.

He also played Field Marshal Haig in the satire Oh! What a Lovely War (1969) that mocked the entire genre.

In 1967 he appeared in the short-lived American TV series Dundee and the Culhane (1967) on CBS. In the hour-long series Mills played an English lawyer named Dundee who roamed the Wild West with a young American lawyer named Culhane, who was also a fast draw with a six-gun. The network was disappointed with the quality of the show's writing and cancelled it after 13 episodes.

One of the series' directors was Ida Lupino, who played Mills' sister in "The Ghost Camera" over 30 years before (Lupino also directed Hayley in The Trouble with Angels (1966)).

Mills has worked as both producer and director: in 1966, he directed daughter Hayley in Gypsy Girl (1966) (a. k. a. "Gypsy Girl), from a script written by his wife. He produced "The Rocking Horse Winner" and The History of Mr.

Was nominated for Broadway's 1962 Tony Award as Best Actor (Dramatic) for "Ross."

He appeared on Broadway during the 1961-62 season as the lead character in Terence Rattigan's "Ross," a fictionalization of the life of T. E. Lawrence, for which he was nominated for a Best Actor Tony Award.

Whistle Down the Wind (1961) in which Hayley's character mistakes a runaway convict played by Alan Bates for Jesus Christ, was based on a novel written by Mary.

He later tackled more complex characterizations, such as the emotionally troubled commander in Tunes of Glory (1960).

Mills appeared in a Disney hit of his own, Swiss Family Robinson (1960), as the paterfamilias.

Living in Hollywood during the 1960s where his daughter Hayley enjoyed her own Oscar-winning career as a child star, Mills and his wife became very popular with members of the movie colony. After Hayley grew out of her child actress roles, Mills returned to England, where he continued his film work. He became a council member of the Royal Academy of Dramatic Art and a life patron of the Variety Club.

Mills was appointed a Commander of the British Empire in 1960 and was knighted in 1976.

He also appeared with his daughter Hayley Mills in Tiger Bay (1959) and The Family Way (1966) and had a cameo in her Disney hit The Parent Trap (1961).

He had one of the better cameo parts in producer Mike Todd's epic Around the World in 80 Days (1956), playing a carriage driver, and appeared in a non-speaking part as Old Norway in Kenneth Branagh's Hamlet (1996).

Laurence Olivier offered Mills the role of one of the murderers in Richard III (1955) but he turned it down, believing that it could be seen as stunt casting.

Because of this, he played roles that were more akin to character parts, such as shoemaker Willy Mossop in Hobson's Choice (1954).

As he aged, his proclivity for well-written roles enabled him to make a seamless transition from a lead to character lead to character actor from the 1950s to the 1960s.

Other significant films in which Mills appeared include The Rocking Horse Winner (1949), King Vidor's War and Peace (1956), The Chalk Garden (1964), King Rat (1965), The Wrong Box (1966), Lady Caroline Lamb (1972), Young Winston (1972) and Stanley Kramer's Oklahoma Crude (1973).

Polly (1949), the latter film featuring his older daughter Juliet Mills as a child.

He could play such straight heroes as Scott of the Antarctic (1948) as well as deconstruct the type in Ice Cold in Alex (1958) and "Tunes of Glory. " The latter film features one of his finest film roles, that of the brittle Col. Basil Barrow, the new commander of a Scots battalion.

Mills superbly played an emotionally troubled martinet in a role originally slated for Alec Guinness, his Great Expectations (1946) co-star, who decided to take the flashier role of the colonel's tormentor. It was one of Mills' favorite characters. No male star of English cinema enjoyed such a long and rewarding career as a star while appearing predominantly in English films. As an actor, Mills chose his roles on the basis of the quality of the script rather than its propriety as a "star" turn.

In addition to "In Which We Serve" and "Ryan's Daughter," Lean had also directed Mills in memorable performances in This Happy Breed (1944) and "Hobson's Choice". He gave one of his finest turns as Pip in Lean's masterpiece "Great Expectations", in which Mills' performance was central to the success of the picture.

However, it was in his World War II films, which included We Dive at Dawn (1943), Waterloo Road (1945) and Johnny in the Clouds (1945), that Mills established himself as an innovative English film star. With his ordinary appearance and everyman manner, Mills seemed "the boy-next-door," but the Mills hero was decent, loyal and brave, as well as tough and reliable under stress. In his military roles, he managed throughout his career to include enough subtle variations on the Mills heroic type to avoid appearing typed.

He appeared in the classic In Which We Serve (1942), where he worked with his mentor Coward and with Coward's co-director David Lean, who would go on to direct Mills in some of his most memorable performances. Throughout his film career Mills played a wide variety of military characters, portraying the quintessential English hero.

After divorcing Aileen Raymond, whom he had married at the age of 19, Mills married playwright Mary Hayley Bell on January 16, 1941. Since he was serving in the army, they could not have a church service, and they renewed their vows at St.

Enlisted in the Royal Engineers in 1940 but received a medical discharge after a year and a half due to a duodenal ulcer.

Chips (1939) with Robert Donat, but he refused the American studios' entreaties to sign a contract and stayed in England. Mills relished acting in films, finding it a challenge rather than the necessary economic evil that many English actors at the time, such as Laurence Olivier, felt it was, and it was the cinema that would make him an internationally renowned star.

"Forever England") and Raoul Walsh's You're in the Army Now (1937).

He anchored his film career in military roles, such as those in his early pictures Born for Glory (1935) (a. k. a.

He was a juvenile lead in The Ghost Camera (1933), appeared in the musical Car of Dreams (1935), and then played lead roles in Born for Glory (1935), Nine Days a Queen (1936) and The Green Cockatoo (1937). His Hollywood debut was in Goodbye, Mr.

The Oscar-winner appeared in more than 120 films and TV movies in a career stretching over eight decades, from his debut in 1932 in Midshipmaid Gob (1932) through Bright Young Things (2003) and The Snow Prince (2009). After graduating from the Norwich Grammar School for Boys, Mills rejected his father's academic career for the performing arts. After brief employment as a clerk in a grain merchant's office, he moved to London and enrolled at Zelia Raye's Dancing School. Convinced from the age of six that performing was his destiny, Mills said, "I never considered anything else.

Mills' greatest American stage success was as T. E. Lawrence in "Ross." Mills had met the real Lawrence in 1931 through good friend Noel Coward when he was appearing in "Cavalcade.".

The short, wiry song-and-dance man was scouted by Noël Coward and began to appear regularly on the London stage in revues, musicals and legitimate plays throughout the 1930s. He appeared in a score of films before the war, "quota quickies" made under a system regulating the import of American films designed to boost local production.

"After training as a dancer, he started his professional career in the music hall, appearing as a chorus boy at the princely sum of four pounds sterling a week in "The Five O'Clock Revue" at the London Hippodrome, in 1929.

Mills' first professional appearance was as a chorus boy in a Hippodrome show "The Five O'Clock Revue" with Ernest Truex in 1927.

Sir John Mills, one of the most popular and beloved English actors, was born Lewis Ernest Watts Mills on February 22, 1908, at the Watts Naval Training College in North Elmham, Norfolk, England. The young Mills grew up in Felixstowe, Suffolk, where his father was a mathematics teacher and his mother was a theater box-office manager.