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Nagano is also one of the Russian National Orchestra's Conductor Collegium. In August 2012, the Gothenburg Symphony Orchestra announced the appointment of Nagano as its principal guest conductor and artistic advisor, as of the 2013–2014 season, with an initial contract of 3 years. In September 2012, the Hamburg State Opera announced the appointment of Nagano as its next Generalmusikdirektor (General Music Director) and Chefdirigent (chief conductor), effective with the 2015–2016 season, with an initial contract through the 2019–2020 season. In October 2017, the company announced the extension of Nagano's Hamburg contract through 2025.

In 2006, Nagano became the music director of both the Orchestre Symphonique de Montréal (OSM) and the Bavarian State Opera. His contract with the Bavarian State Opera did not allow him to be the music director of another opera company. He concluded his Bavarian State Opera tenure in 2013. With the OSM, he has conducted commercial recordings for such labels as ECM New Series and Analekta. His current contract with the OSM is through 2020. In June 2017, the OSM announced that Nagano is to stand down from as its music director at the close of his current contract, at the end of the 2019–2020 season.

Nagano became principal conductor of the Los Angeles Opera (LA Opera) with the 2001–2002 season. In May 2003, Nagano was named the LA Opera's first music director, and he retained this position through 2006.

Nagano became principal conductor and artistic director of the Deutsches Symphonie-Orchester Berlin in 2000, and served in this position until 2006. He made a number of recordings with the orchestra, including music by Ludwig van Beethoven, Arnold Schoenberg, Anton Bruckner, Alexander von Zemlinsky, and Gustav Mahler.

He has been a regular guest at the Salzburg Festival, where he premiered Kaija Saariaho's L'amour de loin in 2000. He also conducted the world premiere of John Adams' The Death of Klinghoffer at la Monnaie in Brussels.

Kent Nagano has a long history of inventive programming, particularly in the chamber music repertoire. It is impossible not to mention his legendary collaboration with Icelandic artist Björk at the 1996 Verbier Festival performing Arnold Schoenberg's Pierrot Lunaire.

Nagano served as principal conductor of the Hallé Orchestra in Manchester from 1992 to 1999. During his tenure, Nagano received criticism for his expensive and ambitious programming, as well as his conducting fees. However, poor financial management at the orchestra separately contributed to the fiscal troubles of the orchestra. His contract was not renewed after 1999.

Nagano was music director of the Opéra National de Lyon from 1988–1998, where he recorded, with the Lyon National Opera Orchestra and chorus, numerous works including Busoni's Doktor Faust, Arlecchino and Turandot, Stravinsky's The Rake's Progress, Offenbach's Les Contes d'Hoffmann, the premiere of Debussy's Rodrigue et Chimène, Canteloube's Chants d'Auvergne, Berlioz' La Damnation de Faust, Carlisle Floyd's Susannah, operas by Richard Strauss, the French version of Salomé and the original version of Ariadne auf Naxos, Peter Eötvös' Tri sestry, Massenet's Werther, Delibes' Coppélia, Poulenc's Dialogues des Carmélites, orchestral works by Maurice Ravel, and Kurt Weill's Seven Deadly Sins.

Beginning in 1985, Nagano was the Music Director of the Ojai Music Festival four separate times, the last in 2004, and once alongside Stephen Mosko in 1986.

In 1982, Nagano conducted the London Symphony Orchestra in several of Frank Zappa's completely orchestral compositions for the first time. Nagano recorded several of Zappa's pieces on the issue London Symphony Orchestra, Vol. 1, where Zappa had personally chosen Nagano to conduct the orchestra. Nagano described this as "my first chance, my first real break". In 1984, while assistant conductor of the Boston Symphony Orchestra, he stepped in for Seiji Ozawa on short notice and without rehearsal, receiving acclaim from the audience, orchestra, and Boston Globe critic Richard Dyer for a "noble performance" of Mahler's Ninth Symphony.

Nagano's first conducting job was with the Opera Company of Boston, where he was assistant conductor to Sarah Caldwell. In 1978, he became the conductor of the Berkeley Symphony, his first music directorship. He stepped down from this position in 2009. During his tenure in Berkeley, Nagano became a champion of the music of Olivier Messiaen and initiated a correspondence with him. He was later invited to work with Messiaen on the final stages of his opera Saint François d'Assise in Paris, where he lived with Messiaen and his wife Yvonne Loriod, whom he came to regard as his "European parents".

Kent George Nagano, GOQ, MSM (born November 22, 1951) is an American conductor and opera administrator. He is currently music director of the Montreal Symphony Orchestra since 2006, and general music director of the Hamburg State Opera since 2015.