Lane Chandler height - How tall is Lane Chandler?

Lane Chandler (Robert Clinton Oakes) was born on 4 June, 1899 in South Dakota, USA, is an actor. At 73 years old, Lane Chandler height is 6 ft 3 in (193.0 cm).

Now We discover Lane Chandler's Biography, Age, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of net worth at the age of 73 years old?

Popular As Robert Clinton Oakes
Occupation actor
Lane Chandler Age 73 years old
Zodiac Sign Gemini
Born 4 June 1899
Birthday 4 June
Birthplace South Dakota, USA
Date of death 14 September, 1972
Died Place Los Angeles, California, USA
Nationality USA

We recommend you to check the complete list of Famous People born on 4 June. He is a member of famous Actor with the age 73 years old group.

Lane Chandler Weight & Measurements

Physical Status
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
Parents Not Available
Wife Not Available
Sibling Not Available
Children Not Available

Lane Chandler Net Worth

He net worth has been growing significantly in 2021-22. So, how much is Lane Chandler worth at the age of 73 years old? Lane Chandler’s income source is mostly from being a successful Actor. He is from USA. We have estimated Lane Chandler's net worth , money, salary, income, and assets.

Net Worth in 2022 $1 Million - $5 Million
Salary in 2022 Under Review
Net Worth in 2021 Pending
Salary in 2021 Under Review
House Not Available
Cars Not Available
Source of Income Actor

Lane Chandler Social Network

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Timeline

1950

A stalwart of television Westerns of the 1950s, he was a familiar face to movie fans for nearly fifty years.

1944

He was tested for the role of the Frankenstein Monster, eventually played by Glenn Strange, in House of Frankenstein (1944).

1931

Despite the relatively poor production values, several of his early talkies (The Hurricane Horseman (1931) and The Cheyenne Cyclone (1931)) rise above similar fare in entertainment value. Unfortunately, Chandler was also forced to work on other lesser productions helmed by hack directors such as J. P. McGowan who cared more about quickly earning a paycheck than the product itself.

1930

His association with Kent ended in 1930s and Chandler drifted to another independent outfit called Empire Pictures which promised to produce 6 films, although only 2 were ultimately shot, the entertaining quickies The Lone Bandit (1935) and The Outlaw Tamer (1935). Now in his mid-30's Chandler found his career in irreversible decline and settled into supporting roles. A favorite of director Cecil B. DeMille, Chandler worked in many DeMille films, often in tiny bit parts, though he claimed these were his favorite parts. Eventually Chandler no longer commanded roles of any substance and he spent the remaining 35 years of his career in progressively smaller supporting parts, playing in hundreds of films, often uncredited.

1920

American actor who had a brief flirtation with stardom before settling into character roles and bit parts. Born in rural South Dakota (according to government records, though some sources say Walsh County, North Dakota) as Robert C. Oakes, the son of a horse rancher, he moved with his family to Culbertson, Montana (not his birthplace as some sources have it), where he grew up. The family moved again and he graduated from high school in Helena. A brief attendance at Montana Wesleyan College was interrupted by the offer of a job driving a tour bus in Yellowstone National Park. Drifting down to Los Angeles in the early 1920s, he got work as an auto mechanic, but his ranch-honed cowboy skills got him bit parts in pictures at Paramount when director John Waters offered him work in a series of Westerns. Paramount recognized possibilities in the tall, rugged, handsome cowboy and put him (with a new name, Lane Chandler) into leading roles, first in Westerns, then in contemporary films opposite some of the biggest star actresses of the time, Clara Bow, Greta Garbo, Betty Bronson, and Esther Ralston. As silent films were phased out, Chandler found his stock slipping at Paramount, which had begun to overtly favor Gary Cooper in his place. He began appearing in lower-budgeted Westerns, first in leads, then as second leads to stars such as John Wayne and Jack Hoxie. During this period he free-lanced at Big 4, Syndicate Pictures and Kent (see Willis Kent) Pictures, all a far cry from his days under contract with Adolph Zukor.