M. D. Bright height - How tall is M. D. Bright?

M. D. Bright was born on 1955 in Montclair, New Jersey, United States, is an Artist. At 65 years old, M. D. Bright height not available right now. We will update M. D. Bright's height soon as possible.

Now We discover M. D. Bright's Biography, Age, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of net worth at the age of 67 years old?

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M. D. Bright Age 67 years old
Zodiac Sign N/A
Born
Birthday
Birthplace Montclair, New Jersey, United States
Nationality American

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M. D. Bright Weight & Measurements

Physical Status
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
Parents Not Available
Wife Not Available
Sibling Not Available
Children Not Available

M. D. Bright Net Worth

He net worth has been growing significantly in 2021-22. So, how much is M. D. Bright worth at the age of 67 years old? M. D. Bright’s income source is mostly from being a successful Artist. He is from American. We have estimated M. D. Bright's net worth , money, salary, income, and assets.

Net Worth in 2022 $1 Million - $5 Million
Salary in 2022 Under Review
Net Worth in 2021 Pending
Salary in 2021 Under Review
House Not Available
Cars Not Available
Source of Income Artist

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Wikipedia M. D. Bright Wikipedia
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Timeline

2014

Mark D. Bright is an American comic book and storyboard artist. Sometimes credited as Doc Bright (a play on his initials), he is best known for pencilling the Marvel Comics Iron Man story Armor Wars, the two Green Lantern: Emerald Dawn miniseries for DC Comics, for painting the cover to Marvel Comics' Transformers #5 and for co-creating Quantum and Woody with writer Christopher J. Priest. Bright later became a freelance storyboard artist, although he and Priest reunited for a five-issue Quantum and Woody miniseries published by the new incarnation of Valiant Comics in 2014–2015, but set in the continuity of the original Quantum and Woody series.

1998

(Quantum and Woody note: The series was canceled in 1998 with issue #17. When Acclaim Comics reorganized and relaunched its comic book line the following year, Quantum and Woody resumed publication. As a joke to capitalize on the number of months that had passed since issue #17, the first new issue released was #32, to match the number of months the series had been off the stands, as if the series had continued all along. Issue #32 features a storyline that has jumped ahead, with no indication of what has happened just before, and a cliffhanger ending that only would have been resolved had Quantum and Woody continued publishing for an additional 15 months. The following month it resumed its original numbering at #18, picking up the narrative from #17. Bright pencilled through issue #20, but issue #21 was a fill-in by artist Oscar Jimenez, and the series' last, as it was cancelled once again.)

1992

He again collaborated with Priest on the final 10 issues of Power Man and Iron Fist. Bright's regular-artist runs on comic-book series include Solo Avengers, Iron Man, G.I. Joe, Green Lantern, Action Comics (when it was published weekly), Milestone Comics' Icon and Acclaim Comics' Quantum and Woody. Although Bright inked some of his covers, most of his interior comics artwork was created in collaboration with an inker, primarily Romeo Tanghal, Randy Emberlin, Greg Adams and Mike Gustovich. During his years as a full-time comic book artist, Bright also provided artwork for analogous trading cards: The Green Lantern Hal Jordan card for Impel's 1992 DC Cosmic Cards, approximately one-third of Impel's 1991 G.I. Joe trading card set, and all of the Green Lantern and Green Lantern Corps artwork for Impel/Skybox's 1993 DC Cosmic Teams trading cards.

1978

His work in comics began in 1978 with a three-page story in House of Mystery #257 (April 1978) His first regular work was providing the art for the Christopher J. Priest (then going by his birth name, Jim Owsley) penned Falcon mini-series in 1983. One issue had been completed by artist Paul Smith, and Bright pencilled the remaining three issues.