Mania Akbari height - How tall is Mania Akbari?

In 2019, Akbari released a second epistolary essay film, A Moon for My Father, co-directed with the sculptor Douglas White, which one critic praised as "a form of digressive-poetic cinema, connecting images and ideas in a dream-associative logic".

In 2014, Akbari made an essay film entitled Life May Be with British filmmaker and film historian Mark Cousins. This film was screened in several film festivals around the world such as the Karlovy Vary International Film Festival and the Edinburgh International Film Festival.

Akbari's work has been described as "remarkably fresh, audacious and relevant." The Guardian has noted that her feature films are "rivetingly human: pitiless, potent studies of domestic strife, and of the fight for happiness – and domination – in sexual relationships."

In 2010, Akbari made a documentary about capital punishment and the execution of Behnoud Shojaee, titled 30 Minutes To 6. Although after the disputed 2009 election, the filmmaking conditions in Iran were becoming more closed and controlled, she decided to make One. Two. One, her third feature-length film, there. In the same year, she started working on her next film, originally to have been called "Women Do Not Have Breasts". During the making of this film, numerous filmmakers were arrested in Iran, and since she opposed the State-imposed limitations on expression, she left Iran for London and finished the film under the new title of From Tehran to London.

In 2007, Akbari was diagnosed with breast cancer, her struggle with the disease becoming one of the key themes of her films and art works.

From 2007 to 2010, Akbari worked on numerous photography-based works that were featured in various galleries around the world, while she kept making documentary and fiction films until 2011, when during production of her film, From Tehran to London, members of her crew were arrested by Iranian authorities for filming without official permission. Scared she too might be imprisoned, Akbari fled Tehran for London.

In 2007, Akbari was diagnosed with an aggressive form of breast cancer and the film she made that year, 10+4, explores the sensation of living "with both life and death." Akbari calls her second feature film a sequel of sorts to Kiarostami's Ten. It was exhibited at numerous festivals such as the San Sebastián International Film Festival and the Cannes Film Festival. This film has also been screened in many international museums such as the Centre Georges Pompidou and Museum of Fine Arts, Boston.

Akbari's first feature-length film 20 Fingers (2004), a study of marriage and sexual identity, was screened in more than 40 film festivals around the world.

Between 2004 and 2007, she made six video art pieces entitled Self, Repression, Sin, Escape, Fear, and Destruction, which were shown in numerous film festivals such as Locarno Film Festival and exhibited at museums such as the Tate Modern.

In 2002, Akbari and her son, Amin Maher, and her sister, Roya Akbari, appeared in Abbas Kiarostami's docufiction, Ten. The following year, Akbari directed her debut film, a short documentary called Crystal. In 2004, she wrote, acted in and directed her first feature-length film, 20 Fingers, which won best film in the Venice Film Festival's Digital Cinema section.

Mania Akbari (Persian: مانيا اکبری ‎, born 1974) is an Iranian filmmaker, artist, writer and actress whose works explore women's rights, marriage, sexual identity, disease and body image. Her style, in contrast to the long tradition of melodrama in Iranian cinema, is rooted in the visual arts and autobiography. Because of the taboo themes frankly discussed in her films and her opposition to censorship, she is considered one of the most controversial filmmakers in Iran. As an actress, she is probably best known for playing the lead role in Abbas Kiarostami's Ten (2002).

Akbari was born in 1974 in Tehran, Iran. Her artistic activities, as a painter, started in 1991 when she took part in various exhibitions in Iran, as well as abroad. She was later exposed to cinema, working as a cinematographer and assistant director on documentary films.