Marios Joannou Elia height - How tall is Marios Joannou Elia?
Marios Joannou Elia was born on 19 June, 1978 in Paphos, Cyprus, is a Cypriot composer and artistic director. At 42 years old, Marios Joannou Elia height not available right now. We will update Marios Joannou Elia's height soon as possible.
Now We discover Marios Joannou Elia's Biography, Age, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of net worth at the age of 44 years old?
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Marios Joannou Elia Age |
44 years old |
Zodiac Sign |
Gemini |
Born |
19 June 1978 |
Birthday |
19 June |
Birthplace |
Paphos, Cyprus |
Nationality |
Cyprus |
We recommend you to check the complete list of Famous People born on 19 June.
He is a member of famous Composer with the age 44 years old group.
Marios Joannou Elia Weight & Measurements
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Weight |
Not Available |
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Not Available |
Eye Color |
Not Available |
Hair Color |
Not Available |
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
Family |
Parents |
Not Available |
Wife |
Not Available |
Sibling |
Not Available |
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Marios Joannou Elia Net Worth
He net worth has been growing significantly in 2021-22. So, how much is Marios Joannou Elia worth at the age of 44 years old? Marios Joannou Elia’s income source is mostly from being a successful Composer. He is from Cyprus. We have estimated
Marios Joannou Elia's net worth
, money, salary, income, and assets.
Net Worth in 2022 |
$1 Million - $5 Million |
Salary in 2022 |
Under Review |
Net Worth in 2021 |
Pending |
Salary in 2021 |
Under Review |
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Not Available |
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Composer |
Marios Joannou Elia Social Network
Timeline
Elia was the artistic director of the Multimedia-Event "autosymphonic" in Mannheim (2019–12) and "Ulmer Oratorium" in Ulm (2013–15).
In 2018 he has received seven awards in Russia for his artistic contribution and work - among others from the Mayor of Vladivostok and the Government of Primorye. In 2019 he was awarded "Most Successful Person of the Republic of Cyprus" in the Category Culture and Art.
The album "Staubzucker" (released 2015) wins 3 Gold Medals at the Global Music Awards 2016 in California – in the categories Classical Contemporary, Album, Creativity and Originality.
For the 125th birthday of the automobile, Elia composed the open-air multimedia symphony "autosymphonic", commissioned by the city of Mannheim. The one-hour-long symphony is scored for 265 musicians: for symphony orchestra, 81 cars and 120 percussionists, choir, children's choir, pop band, vocal ensemble, percussion octet, live electronics and a 360-degree sound system. There were 17 conductors involved in the performance.The premiere took place at the central square of Mannheim, Friedrichsplatz, and attracted an audience of 20,000 people [10]. Horst Hamann created the visual staging of the symphony.
Elia studied composition with Adriana Hölszky at the University of Music and Dramatic Arts Mozarteum, Salzburg. Further composition studies led him to Klaus Huber at the University of Music in Basel. He worked with artists like Bogusław Schaeffer and Michael Finnissy, as well as Georges Aperghis, Helmut Lachenmann and Karlheinz Stockhausen. He also studied musicology at the University of Music and Performing Arts Vienna. He holds a Doctor of Philosophy from the University of Southampton (2010).
Elia composed several operas and musical theatre works. His last opera, "The Hunt", commissioned by the Staatsoper Stuttgart is composed for four singers, three actors, hunting chorus, two choruses, 20 recorded voices, instrumental ensemble into two groups, car sextet and electronics (2008). The work was premiered by the Stuttgart State Opera, in coproduction with the Theater Rampe Stuttgart.
The work of Elia comprises compositions of different genres and instrumentations for the opera as well as for concert halls and goes up to visionary projects and concepts for complex and large-scale cultural events. A number of his works have been specifically designed for special occasions and celebrations, like the choral work "Aquanauts" (premiered in the gardens of the Salzburg Mirabell Palace, 2007) or the media opera "The Journey of G. Mastorna" (premiered in the Airport Salzburg during the "Mozart Year 2006") .
In 2007 he was awarded the Theodor-Koerner-Fonds Composition Prize and lauded by the Austrian Federal President in Vienna. In 2009 he was awarded the Achievement Award by the Minister of Culture in Cyprus. In 2010 he was voted "Artist of the Year" in Cyprus and elected President of the "New Works" Music Festival in Southampton.
From 2003 to 2006 he was artistic and scientific fellow in the composition department at Mozarteum.
During the composition of "Strophes" (2003), in which the architectonic features of a high-tech factory influenced various parameters of the work such as the production of sounds, Marios Joannou Elia developed the concept of polymediality. This involved two dimensions: the work-immanent compositional dimension and polymediality in the process of staging. The prefix poly denotes a qualitative paradigm shift; not a quantitative much, but a qualitative, polyaesthetic more. Written between 2007 and 2010 as a commentary focused on his opera "Die Jagd" (2008) and the orchestral piece "Akanthai" (2009), his book "The Concept of Polymediality" - published by Schott Music (2017) - illuminates Elia's concept of polymediality and, by providing a wealth of examples, how literary sources become an inherent polymedial element of his music. At the same time, the commentary elucidates a series of fundamental aspects of the music, including the model of imitative interaction, the concept of permanent fleetingness, the concept of polyaesthestics, and the question of musico-literary intermediality.
The premiere of "With a Pair of Scissors and Thousand Threads" by the Cambridge University New Music Society (2002) was among the first international successes he achieved. Another early success was the performance of "Antidoron" (Holy Bread) for electronically amplified string quartet: First Prize at the Lutosławski Award international composition competition in Warsaw (2004). The premiere followed in the Warsaw Philharmonic with the Rubinstein Quartet.
The Austrian Federal Ministry for Education, Arts and Culture in Vienna honoured him with a special Grant Award as the best student at Mozarteum during the academic year 2001/02. Furthermore, he was honoured with the Academic Excellence Award from the Chancellor of Mozarteum. He also received numerous awards from such institutions as the A.G. Leventis Foundation Paris, the European Centre for the Arts Hellerau in Dresden, the Hinrichsen Foundation London, the Academy of Arts Berlin, the Federal Chancellery of the Republic of Austria, the Allianz Cultural Foundation Munich, the Art-Foundation Baden-Württemberg, the Otto-Mauer-Fonds in Vienna, the Academy Schloss Solitude and the Republic of Cyprus.
"Staubzucker" is an album of nine works, composed between 1999 and 2008, by Marios Joannou Elia. The album, which was recorded at the ORF RadioKulturhaus in Vienna, was released in November 2015. The compositional style of the works on this recording varies in terms of their musical substance and behaviour, expressing the composer's distinctive musical values: his breadth of vision, technical craft, rhythmic drive, movement and gesture, and his profound expressivity and meta-theatricality, which have a spirit of restlessness and unexpectedness – often achieved through compositional techniques invented by Elia himself. The recording is neither typical contemporary music nor is it a mainstream classical guitar album, but it offers a manifestation of the endless possibilities of the guitar.
Marios Joannou Elia (born 19 June 1978), is a Cypriot composer and artistic director. He was the youngest director in the history of the European Capital of Culture (2013–15). He is ambassador in tourism of the Republic of Cyprus. Since 2016 he has been the director of the large-scale project "Sound of Vladivostok", on behalf of Zarya Foundation, in Russia; from January 2018, director of "Sound of Kyoto", on behalf of Kyoto City and Kyoto Arts and Culture Foundation after an invitation of the Agency for Cultural Affairs, Government of Japan.