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Professor Hallett moved to the Paul Mellon Centre in October 2012, after having spent eighteen years teaching at the University of York, where he was appointed a Professor in 2006. He was Head of the History of Art department at York between 2007 and 2012, and a member of the University’s Centre for Eighteenth Century Studies. He took his undergraduate degree at Cambridge University, graduating in 1986, and studied for a master's degree (1989) and a PhD (1996) at the Courtauld Institute of Art. He was an Andrew W. Mellon Fellow at Yale University in 1990–91.

He has also been involved in curating a number of major exhibitions, including James Gillray: The Art of Caricature (Tate Britain, 2001); Joshua Reynolds: The Creation of Celebrity (Tate Britain, 2005); Hogarth (Tate Britain, 2007); William Etty: Art and Controversy (York Art Gallery, 2011); Joshua Reynolds: Experiments in Paint (Wallace Collection, 2015); The Great Spectacle: 250 Years of the Summer Exhibition (Royal Academy, 2018); and George Shaw: A Corner of a Foreign Field (Yale Center for British Art, 2018).

Professor Mark Hallett (born 11 March 1965) is an art historian specialising in the history of British art. He is currently Director of Studies at the Paul Mellon Centre for Studies in British Art.

As an art-historian, Hallett is best known for his writings on eighteenth-century graphic satire, exhibition culture and portraiture, and for his books and catalogues on the artists William Hogarth and Joshua Reynolds. He also co-edited the major online publication, The Royal Academy Summer Exhibition: A Chronicle, 1769–2018 (Paul Mellon Centre, 2018). More recently, he has begun researching and writing on twentieth-century British art.