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In 2010 the location in Sundbyberg closed and the studio went into storage for a brief while before being relocated to Sollentuna.

Together with musician and composer Matti Bye, Mattias Olsson has written music for both film and theatre. In 2009 they wrote music for productions at both Dramaten and Stadsteatern in Stockholm. They have also played together at silent movie festivals and showings both in Tromsö and Stockholm. They have written and played music for Berlin, Nanook of the North and Fritz Langs Metropolis.

When he was 17 he joined progressive rock band Änglagård. Änglagård consisted of musicians from Ekerö as well as Waxholm. The band was heavily influenced by bands such as King Crimson, Yes and Genesis but also listened to less famous bands such as Shylock, Cathedral and Yezda Urfa. Änglagård quickly became known for their instrumentation skills and their dynamic range often reminiscent of classical music. When the band started the current trend in progressive rock was to use the newest digital equipment. Änglagård decided instead to use old classic prog equipment like the Rickenbacker bass, Minimoog and the Mellotron. Änglagård recorded two studio albums in the 1990s, Hybris (1992) and Epilog (1994). They also recorded a live album called Buried Alive (1996). The title was a joke from Mattias, the worst title for a live album must be ...Buried Alive. After a long hiatus the band released their third album Viljans Öga in 2012.

He was born in Hong Kong to Swedish parents. In 1981 he moved to Stockholm. Starting as a drummer at eight years old he started off playing in big bands, pop and classical ensembles.

Mattias Olsson (born 9 January 1975) started his career as a classical percussionist playing in orchestras and big bands on Ekerö outside of Stockholm. As a sideline to recording and producing bands Mattias Olsson writes articles (music related) for several Swedish Magazines.