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In 2015, he recreated the Walter Rodney Bookshop as an installation within the exhibition No Colour Bar: Black British Art in Action 1960–1990 at the Guildhall Art Gallery (July 2015–January 2016), and participated in related events.

Another installation-based exhibition was The Beauty Shop (2008) at the 198 Gallery in south London, where, as with The Front Room, McMillan "tried to create a tangible sense of performance. Visitors were encouraged to respond to them as theatre as much as art."

McMillan has written a number of essays and articles in national and international publications, and has presented papers at conferences and symposiums in the UK, Europe, Canada, USA, Caribbean and Brazil, including as keynote speaker at the 2006 "Islands in Between" Conference on Language, Literature & History of the Eastern Caribbean (University of the West Indies, School of Continuing Studies, St. Vincent & the Grenadines).

Mounted at London's Geffrye Museum in October 2005, the critically acclaimed exhibition resonated with more than 35,000 visitors who represented a variety of ages, genders and social, cultural and ethnic backgrounds. Different versions have since been remade in other countries and cultural settings, including in the Netherlands and in Curaçao, and the associated BBC4 television documentary Tales from the Front Room was broadcast in 2007. He has also made presentations on The Front Room at the University of Wisconsin-Madison (2009), Clark University, Worcester (2009) and Northwestern University, Chicago, (2008). A book entitled The Front Room: Migrant Aesthetics in the Home followed in 2009.

McMillan's interest in oral history and the stories of first-generation Caribbean migrants is reflected in early writings such as Brother to Brother (1996) and The Black Boy Pub & Other Stories (1997), which used recordings of interviews done during a year's residence in High Wycombe, where many of those arriving in particular from SVG had settled. As a dramatist, he has had work performed and produced by the Royal Court Theatre, Channel 4, BBC Radio 4, and in venues across the UK. His play The School Leaver was published by the Black Ink Collective in 1978, when McMillan was 16 years old, and was reprinted several times. His other plays include Master Juba (2006), Babel Junction (2006), and a new translation of Bertholt Brecht's The Good Person of Sezuan, set in Jamaica in the 1980s.

McMillan read sociology and African and Asian studies at Sussex University, graduating in 1984, and then earned an MA degree in Independent Film & Video from Central Saint Martins, London, in 1991. From 2000, he was a Royal Literary Fund Writing Fellow at the London College of Communication and went on to become, since 2003, a Visiting Professor of Creative Writing at the University of the Arts London (UAL), and a researcher and Associate Lecturer at the London College of Fashion (LCF), teaching predominantly Cultural & Historical Studies. He was awarded a practice-based Arts Doctorate from Middlesex University in 2010. In 2010–11, he was Arts in Health & Well Being artist-in-residence in North Wales.

Alongside teaching, McMillan has also worked on mixed-media exhibitions and publications. His first installation, The West Indian Front Room (he uses "the term 'West Indian' as it refers to a particular moment of post-World War II Caribbean migration to England and the wider Diaspora"), drew on memories of the domestic setting created by his parents and their like after they migrated to Britain, featuring a recreation of a typical front room of the 1970s to raise "questions about the constructions of diaspora, identity, race, class and gender in the domestic interior". According to cultural theorist Stuart Hall, "The front room is a conservative element of black domestic life, which is more complex and rich than the generality of the society ever realises"; nevertheless, McMillan recalled in an article in The Guardian:

Michael McMillan (born 1962) is a British playwright, artist, curator and educator, born in England to parents who were migrants from St Vincent and the Grenadines (SVG). As an academic, he focuses his research on "the creative process, ethnography, oral histories, material culture and performativity". He is the author of several plays, and as an artist is best known for his first installation, The West Indian Front Room, which was exhibited with great success in 2005, attracting more than 35,000 visitors in its initial outing at the Geffrye Museum, and going on to inspire a BBC Four documentary called Tales from the Front Room (2007), a website a 2009 book, The Front Room: Migrant Aesthetics in the Home, and various international commissions, such as Van Huis Uit: The Living Room of Migrants in the Netherlands (Imagine IC, Amsterdam, and Netherlands Tour, 2007–08) and A Living Room Surrounded by Salt (IBB, Curaçao, 2008). A more recent installation of the Walter Rodney Bookshop featured as part of the 2015 exhibition No Colour Bar at the Guildhall Art Gallery.

Michael McMillan was born in 1962 in High Wycombe, UK, of Caribbean migrant heritage; as he has said, "Both my parents came from St Vincent & the Grenadines and ... were 'arrivants', to use Edward Kamau Brathwaite's term, from colonies where they were imbued with English culture." Given this background, he has said, "I grew up with learning three languages: the creole spoken by my parents as a fusion of an English lexicon and an African grammar; the Jamaican English spoken on the streets of Hackney and around London and the London English spoken at school." He won an essay competition, run by Len Garrison's ACER (Afro-Caribbean Education Resource), and after going to FESTAC 77 (the Second World Festival of African Arts and Culture), he wrote his play The School Leaver (1978), which was produced at the Royal Court Theatre's Young Writers' Festival.