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In her new series, Denudation (2012), Mickey Smith presents a mesmerizing kind of in-situ laboratory-style photography—the image as evidentiary document, the print as cold case. The stark, dark photographs in this new exhibition test the limits of objectivity and the false consolation of casualness even as, in the tradition of documentary and crime-scene photography, the images aspire to conscientious neutrality. The photographs document those objects discarded within an abandoned library, but their formal objectivity is no guard against the ghosts of narrative, perceived or imagined.

Denudation. Hassla Books. September 2012 GQ. The Book that Changed My… June 2011 Abe’s Penny. Collaboration with Lamb, John. January 2011 The Last Magazine. October 2010 THEME Magazine [Issue #23]. Dalton, Trinie. Schiller, Sara + Marc [Curators]. July 2010 New York Times. Reader’s Delight. New York Times. Smith, Roberta. July 2010 Abe’s Penny NADA Special Edition. Brehm, Hannah. December 2009 ESOPUS [Issue #13]. Artist Project. October 2009 PRC Annual Juried Publication. September 2009 Habertarts.com Text Messaging. Habler, John. April 2009 Dallas Morning News. There’s something I’ve been meaning to tell you... Granberry, Michael. March 2009 Time Out St. Petersburg. Volume: Mickey Smith Project. Turkina, Olesia. December 2008 Modern Art Obsession. Mickey Smith Photography at the New Invisible-Exports Gallery. Hoeh, Mike. November 2008 New York Magazine. Photographer Mickey Smith Goes to the Library. Pearse, Emma. November 2008 PDNedu [Vol. 7 Issue #1]. One To Watch. Gordon, Jessica. March 2008 American Photography 23. Selected Photographer. November 2007 MyArtSpace.com. Interview. Sherwin, Brian. October 2007 Magenta Foundation for the Arts. Flash Forward 2007. October 2007 mnartists.org. The Medium Itself. Riddle, Mason. September 2007 Flak Photo. Weekend Series. September 2007 Review Magazine. Project-in-Print. August 2007 Flak Photo. Featured Artist. February 2007 Photography Quarterly [Issue #95]. Cover Image. September 2006 mnartists.org. Money, Money, Money. O’Sullivan, Thomas. August 2005

In Believe You Me (2010), she examined the manner in which books and book-learning continue to deliver status even in a culture that has turned away from reading—indeed even more powerfully, and more pervasively, than in eras that had not yet given up on the book as a storehouse of knowledge. In these contemporary images, books have become vacant props, drafted into private battles and culture wars out of a desperate nostalgia for the fading power of the written word.

Public Art Year in Review Project Winner, 2010 LMCC Manhattan Community Arts Fund Grantee, 2009 Permanent Commission Recipient, University of Florida, 2009 CEC Artslink Grantee, 2008 Baum Award for Emerging American Photographers [Nominee], 2008 Fulbright Research Fellowship [Finalist + Alternate], 2008 FORECAST Public Artworks Public Art Affairs Grantee, 2007 Magenta Foundation’s Flash Forward [Honorable Mention], 2007 McKnight Foundation Artist Fellowship for Photography, 2006

In her series, Volume (2006-2010), Smith photographed library-stack sets of bound periodicals to memorialize them as shared objects of a common literary culture, now passed. Volume documented bound periodicals and journals in public libraries. The books and words are not touched, artificially lit, or manipulated – rather created by the librarian, found in the stacks, and positioned by the last anonymous reader. The focus was on simple, provocative titles that transcend the spines on which they appear to create conceptual, language-based, anthropological works. Smith's large scale installations, Collocations, were an evolution of the Volume series.

Mickey Smith (born 1972 in Duluth, Minnesota, U.S.) is an American photographer and conceptual artist working in Auckland, New Zealand. Her works have exhibited throughout the United States, in Europe, China, and Russia. Mickey has received a McKnight Artist Fellowship for Photography as well as grants from Forecast Public Art, CEC ArtsLink, and the Lower Manhattan Cultural Council. She is represented by Invisible-Exports gallery in New York.