Natalie Kingston height - How tall is Natalie Kingston?
Natalie Kingston (Natalie Ringstrom) was born on 19 May, 1905 in Sonoma County, CA, is an American actress. At 86 years old, Natalie Kingston height is 5 ft 6 in (168.0 cm).
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5' 6"
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5' 2"
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5' 6"
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5' 8"
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5' 4"
Now We discover Natalie Kingston's Biography, Age, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of net worth at the age of 86 years old?
Popular As |
Natalie Ringstrom |
Occupation |
actress |
Natalie Kingston Age |
86 years old |
Zodiac Sign |
Taurus |
Born |
19 May 1905 |
Birthday |
19 May |
Birthplace |
Sonoma County, CA |
Date of death |
February 2, 1991 |
Died Place |
West Hills, Los Angeles, CA |
Nationality |
CA |
We recommend you to check the complete list of Famous People born on 19 May.
She is a member of famous Actress with the age 86 years old group.
Natalie Kingston Weight & Measurements
Physical Status |
Weight |
Not Available |
Body Measurements |
Not Available |
Eye Color |
Not Available |
Hair Color |
Not Available |
Who Is Natalie Kingston's Husband?
Her husband is George Andersch (m. 1928–1960)
Family |
Parents |
Not Available |
Husband |
George Andersch (m. 1928–1960) |
Sibling |
Not Available |
Children |
Not Available |
Natalie Kingston Net Worth
She net worth has been growing significantly in 2021-22. So, how much is Natalie Kingston worth at the age of 86 years old? Natalie Kingston’s income source is mostly from being a successful Actress. She is from CA. We have estimated
Natalie Kingston's net worth
, money, salary, income, and assets.
Net Worth in 2022 |
$1 Million - $5 Million |
Salary in 2022 |
Under Review |
Net Worth in 2021 |
Pending |
Salary in 2021 |
Under Review |
House |
Not Available |
Cars |
Not Available |
Source of Income |
Actress |
Natalie Kingston Social Network
Timeline
There were a few supporting roles in B-graders with prophetic titles like Forgotten (1933).
The film generated sufficient revenue for Universal to warrant an immediate sequel, Tarzan the Tiger (1929), in which Natalie continued on as the heroine (albeit now as the screen's fifth 'Jane'). From then, it was pretty much all downhill. With the advent of talking pictures, Natalie became one of many silent stars and starlets who, for one reason or another, failed to make the transition.
The following year, she came to the fore as girl castaway Mary Trevor in Tarzan the Mighty (1928).
Her first dramatic role finally arrived as second lead in Ronald Colman's The Night of Love (1927). By this time, her status had grown by virtue of being selected a WAMPAS Baby Star by the Western Association of Motion Picture Advertisers (an event for actresses deemed to have potential, usually accompanied by substantial media coverage).
Now under contract at First National, Natalie was given full star billing for her role as a Russian sculptress in the military burlesque Lost at the Front (1927).
Instead, the studio continued to use her as a bankable comedy asset in three back-to-back six-reel features: Wet Paint (1926), Miss Brewster's Millions (1926) and The Cat's Pajamas (1926), all palpable box-office hits.
In between flappers and 'nice girls', Natalie also had a turn as a vamp in Eddie Cantor's Kid Boots (1926).
Over the next three years, the soulful-eyed brunette worked her way steadily up the cast list, from ornamental bit parts and walk-ons to fifth billing(Romeo and Juliet (1924)); fourth (Wall Street Blues (1924)); third (Galloping Bungalows (1924)); to finally co-starring with comic greats Harry Langdon, Billy Bevan and Ben Turpin in a series of classic two-reel farces, including Remember When? (1925) and His First Flame (1927) (as a gold digger). When Natalie eventually left Sennett for Paramount, she had every intention of finding 'serious' dramatic work.
Natalie joined Sennett's Keystone 'Fun Factory' sometime in 1923.
She traced her lineage back to the first Spanish governor of California. Her great-grandfather on her mother's side was Hungarian-born Agoston Haraszthy, dubbed the father of Californian viticulture. Leggy, olive-complexioned Natalia Ringstrom grew up and was educated in the San Francisco Bay area. Little is known of her early years, except that she was trained in traditional Spanish dance (including La Jota, the folk dance of Aragon), and, while still in her early teens, travelled the short distance to San Francisco to perform in cabaret. She was spotted there as a blossoming talent by the renowned ballroom dancers Fanchon and Marco, eventually joining their revue on tour. Next stop: Broadway. Now billed as Natalie Kingston, she was featured as one of the chorines of the 1920 "Brevities" at the Winter Garden Theatre. There was to be no career on the stage, however, since Natalie returned to California, soon to becoming a Mack Sennett Bathing Beauty.