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“In a sense, the self is more or less an invention from beginning to end. What is more unreal, what is more a creation than the self? Why do we have such a heavy investment in knowing what is true and what isn’t true about people’s lives? Why is it even valid to make a distinction between autobiography, auto-fiction and fiction itself? What fiction doesn’t contain a deep reflection of the author’s perspective and memory and sense of the world?”

In a departure from her earlier work, Krauss's later novels progressively question and abandon traditional narrative structure in pursuit of themes more characteristic of late postmodern literature. Fragmentation and nonlinear narrative become increasingly present in her work through the use of multiple narrators whose narrative arcs may not directly meet but whose meanings are derived from resonance and pattern similarity (see The History of Love, Great House, Forest Dark). The History of Love and Forest Dark employ techniques of metafiction and intertextuality, questioning the veracity of the novel's form and antagonizing the traditional contract between reader and text. The co-protagonist of Forest Dark in particular is a novelist who shares the author's name and several biographical details, including reflections on a failed marriage to a man with whom the character has two children, considerations of the constraints of fiction, a fascination with Franz Kafka's life and writing, and a preoccupation with "Jewish mysticism, Israel and creation." In an August 2017 interview with The Guardian, Krauss is quoted saying:

In 2015 it was reported that she had signed a $4 million deal with HarperCollins to publish her next two works: a novel, and also a book of short stories. The novel is entitled Forest Dark and was published in 2017. Francesca Segal, writing in the Financial Times, describes it as a "richly layered tale of two lives" that explores "ideas of identity and belonging – and the lure of the Tel Aviv Hilton". The novel's title is derived from the opening lines of Dante's Inferno, as translated by Henry Wadsworth Longfellow.

Her third novel, Great House, connects the stories of four characters to a desk of many drawers that exerts a power over those who possess it or have given it away. It was named a finalist for the 2010 National Book Award for Fiction and was short-listed for the Orange Prize 2011 and also won an Award from the Anisfield-Wolf Book Awards in 2011.

In spring 2007, Krauss was Holtzbrinck Distinguished Visitor at the American Academy in Berlin.

Krauss, who grew up on Long Island, New York, was born in Manhattan, New York City to a British Jewish mother and an American Jewish father, an engineer and orthopedic surgeon who grew up partly in Israel. Krauss's maternal grandparents were born in Germany and Ukraine and later immigrated to London. Her paternal grandparents were born in Hungary and Slonim, Belarus, met in Israel, and later immigrated to New York. Many of these places are central to Krauss's 2005 novel, The History of Love, and the book is dedicated to her grandparents.

Krauss's second novel, The History of Love, was first published as an excerpt in The New Yorker in 2004, under the title The Last Words on Earth. The novel, published in 2005 in the United States by W. W. Norton, weaves together the stories of Leo Gursky, an 80-year-old Holocaust survivor from Slonim, the young Alma Singer who is coping with the death of her father, and the story of a lost manuscript also called The History of Love. The book was a 2006 finalist for the Orange Prize for Fiction and won the 2008 William Saroyan International Prize for Writing for fiction. A film of the book, directed by Radu Mihăileanu, was released in 2016.

Krauss lives in Brooklyn, New York. In June 2004, she married novelist Jonathan Safran Foer, and they had two children together, Sasha and Cy. Krauss and Foer divorced in 2014.

In 2002, Doubleday published Krauss's acclaimed first novel, Man Walks Into a Room. A meditation on memory and personal history, solitude and intimacy, the novel won praise from Susan Sontag and was a finalist for a Los Angeles Times Book Award. The movie rights to the novel were optioned by Richard Gere.

Krauss, who started writing when she was a teenager, wrote and published mainly poetry until she began her first novel in 2001.

In 1996 Krauss was awarded a Marshall Scholarship and enrolled in a master's program at Somerville College, Oxford where she wrote a thesis on the American artist Joseph Cornell. During the second year of her scholarship she attended the Courtauld Institute in London, where she received a master's in art history, specializing in 17th-century Dutch art and writing a thesis on Rembrandt.

Krauss enrolled in Stanford University in 1992, and that fall she met Joseph Brodsky who worked closely with her on her poetry over the next three years. He also introduced her to the work of writers such as Italo Calvino and Zbigniew Herbert. In 1999, three years after Brodsky died, Krauss produced a documentary about his work for BBC Radio 3. She traveled to St. Petersburg where she stood in the "room and a half" where he grew up, made famous by his essay of that title. Krauss majored in English and graduated with honors, winning several undergraduate prizes for her poetry as well as the Dean's Award for academic achievement. She also curated a reading series with Fiona Maazel at the Russian Samovar, a restaurant in New York City co-founded by Roman Kaplan, Brodsky and Mikhail Baryshnikov.

Nicole Krauss (born August 18, 1974) is an American author best known for her four novels Man Walks Into a Room (2002), The History of Love (2005), Great House (2010) and Forest Dark (2017), which have been translated into 35 languages. Her fiction has been published in The New Yorker, Harper's, Esquire, and Granta's Best American Novelists Under 40, and has been collected in Best American Short Stories 2003, Best American Short Stories 2008, and Best American Short Stories 2019. In 2010, she was selected as one of The New Yorker's "20 Under 40" writers to watch. In 2011, Nicole Krauss won an award from the Anisfield-Wolf Book Awards for Great House.