Orhan Pamuk height - How tall is Orhan Pamuk?
Orhan Pamuk was born on 7 June, 1952 in İstanbul, Turkey, is a Turkish writer, academic, and Nobel laureate. At 68 years old, Orhan Pamuk height not available right now. We will update Orhan Pamuk's height soon as possible.
Now We discover Orhan Pamuk's Biography, Age, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of net worth at the age of 70 years old?
Popular As |
N/A |
Occupation |
Novelist, screenwriter, Professor of Comparative Literature and Writing (Columbia University) |
Orhan Pamuk Age |
70 years old |
Zodiac Sign |
Gemini |
Born |
7 June 1952 |
Birthday |
7 June |
Birthplace |
İstanbul, Turkey |
Nationality |
Turkish |
We recommend you to check the complete list of Famous People born on 7 June.
He is a member of famous Novelist with the age 70 years old group.
Orhan Pamuk Weight & Measurements
Physical Status |
Weight |
Not Available |
Body Measurements |
Not Available |
Eye Color |
Not Available |
Hair Color |
Not Available |
Who Is Orhan Pamuk's Wife?
His wife is Aylin Türegün (m. 1982–2001)
Family |
Parents |
Not Available |
Wife |
Aylin Türegün (m. 1982–2001) |
Sibling |
Not Available |
Children |
Not Available |
Orhan Pamuk Net Worth
He net worth has been growing significantly in 2021-22. So, how much is Orhan Pamuk worth at the age of 70 years old? Orhan Pamuk’s income source is mostly from being a successful Novelist. He is from Turkish. We have estimated
Orhan Pamuk's net worth
, money, salary, income, and assets.
Net Worth in 2022 |
$1 Million - $5 Million |
Salary in 2022 |
Under Review |
Net Worth in 2021 |
Pending |
Salary in 2021 |
Under Review |
House |
Not Available |
Cars |
Not Available |
Source of Income |
Novelist |
Orhan Pamuk Social Network
Timeline
In 2019, the 66-year-old Nobel Laureate held an exhibit spotlighting an array of photos of Istanbul taken from his own balcony, named "Balkon: Photos by Orhan Pamuk". The exhibition consists of pictures of "subtle and ever-changing view of Istanbul" taken by Pamuk from his balcony in late 2012 and early 2013, said Yapı Kredi Culture and Arts Publishing.
I strongly feel that the art of the novel is based on the human capacity, though it’s a limited capacity, to be able to identify with “the other.” Only human beings can do this. It requires imagination, a sort of morality, a self-imposed goal of understanding this person who is different from us, which is a rarity.
Pamuk created an actual Museum of Innocence, consisting of everyday objects tied to the narrative, and housed them at an Istanbul house he purchased. Pamuk collaborated on a documentary "The Innocence Of Memories" that expanded on his Museum of Innocence. Pamuk stated that "(Museum of Dreams will) tell a different version of the love story set in Istanbul through objects and Grant Gee’s wonderful new film". In both Snow and the Museum of Innocence Pamuk describes tragic love-stories, where men fall in love with beautiful women at first sight. It has been noted that Pamuk's portrayals of women and the reasons men fall in love with them are powerful in their intensity, yet superficial in the way these love stories originate. Pamuk's heroes tend to be educated men who fall tragically in love with beauties, but who seem doomed to a decrepit loneliness.
Pamuk’s tenth novel, The Red-Haired Woman (2016) is the story of a well-digger and his apprentice looking for water on barren land. It is also a novel of ideas in the tradition of the French conte philosophique.
I thought I would write Memories and the City in six months, but it took me one year to complete. And I was working twelve hours a day, just reading and working. My life, because of so many things, was in a crisis; I don’t want to go into those details: divorce, father dying, professional problems, problems with this, problems with that, everything was bad. I thought if I were to be weak I would have a depression. But every day I would wake up and have a cold shower and sit down and remember and write, always paying attention to the beauty of the book. Honestly, I may have hurt my mother, my family. My father was dead, but my mother is still alive. But I can’t care about that; I must care about the beauty of the book.
Pamuk is the author of novels including Silent House, The White Castle, The Black Book, The New Life, My Name Is Red, Snow, The Museum of Innocence, A Strangeness in My Mind, and The Red-Haired Woman. He is the Robert Yik-Fong Tam Professor in the Humanities at Columbia University, where he teaches writing and comparative literature. He was elected to the American Philosophical Society in 2018.
In 2013, Pamuk invited Grazia Toderi, whose work he admired, to design a work for the Museum of Innocence in Istanbul. Their collaboration culminated in the exhibition Words and Stars. Words and Stars opened on 2 April 2017, at the MART (Museo di Arte Moderna e Contemporanea di Trento e Rovereto), and which explores "the inclination of man to explore space and innate vocation to question the stars." The show was curated by Gianfranco Maraniello. It also showed from 4 November 2016 to 29 March 2017 from 5–6 November 2016 at the Palazzo Madama, Piazza Castello, Turin, and at Infini-to, the Planetarium of Turin (Infini.to - Planetario di Torino, Museo dell'Astronomia e dello Spazio) by invitation.
Pamuk published a memoir/travelogue Istanbul—Hatıralar ve Şehir in 2003 (English version, Istanbul—Memories and the City, 2005). Pamuk's Other Colours – a collection of non-fiction and a story — was published in the UK in September 2007.
On 13 December, eight world-renowned authors—José Saramago, Gabriel García Márquez, Günter Grass, Umberto Eco, Carlos Fuentes, Juan Goytisolo, John Updike and Mario Vargas Llosa—issued a joint statement supporting Pamuk and decrying the charges against him as a violation of human rights.
"I am most surprised by those moments when I have felt as if the sentences, dreams, and pages that have made me so ecstatically happy have not come from my own imagination – that another power has found them and generously presented them to me."
What literature needs most to tell and investigate today are humanity's basic fears: the fear of being left outside, and the fear of counting for nothing, and the feelings of worthlessness that come with such fears; the collective humiliations, vulnerabilities, slights, grievances, sensitivities, and imagined insults, and the nationalist boasts and inflations that are their next of kin ... Whenever I am confronted by such sentiments, and by the irrational, overstated language in which they are usually expressed, I know they touch on a darkness inside me. We have often witnessed peoples, societies and nations outside the Western world–and I can identify with them easily—succumbing to fears that sometimes lead them to commit stupidities, all because of their fears of humiliation and their sensitivities. I also know that in the West—a world with which I can identify with the same ease–nations and peoples taking an excessive pride in their wealth, and in their having brought us the Renaissance, the Enlightenment, and Modernism, have, from time to time, succumbed to a self-satisfaction that is almost as stupid.
Orhan publicly acknowledged his relationship with Kiran Desai, Booker prize winner of Indian origin. In January 2011, Turkish-Armenian artist Karolin Fişekçi told Hürriyet Daily News that Pamuk had a two-and-a-half-year relationship with her during the same time (2010–12), a statement expressly denied by Pamuk.
Since 2011 he's in a relationship with Aslı Akyavaş.
A group of writers assert that some parts of Pamuk's works are heavily influenced by works of other writers, and some chapters are almost totally quoted from other books. Pamuk himself said that his works have been inspired by the writings of rebel poet Kazi Nazrul Islam. One of the writers, nationalist popular-historian Murat Bardakçı, accused him of counterfeiting and plagiarism in the Hurriyet, a Turkish newspaper. Another accusation is that Pamuk's novel The White Castle contains exact paragraphs from Fuad Carim's Kanuni Devrinde İstanbul ("Istanbul in the Time of the Kanuni") novel. After a question raised at the 2009 Boston Book Festival as to whether he wanted to respond to these accusations, Pamuk responded, "No I do not. Next question?". However, many attributed such accusations to their ignorance about postmodern literature, and the literary technique of intertextuality which Pamuk almost always uses in his novels in full disclosure.
In 2008, in an open online poll, Pamuk was voted as the fourth most intellectual person in the world on the list of Top 100 Public Intellectuals by Prospect Magazine (United Kingdom) and Foreign Policy (United States).
In January 2008, 13 ultranationalists, including Kemal Kerinçsiz, were arrested by Turkish authorities for participating in a Turkish nationalist underground organisation, named Ergenekon, allegedly conspiring to assassinate political figures, including several Christian missionaries and Armenian intellectual Hrant Dink. Several reports suggest that Pamuk was among the figures this group plotted to kill. The police informed Pamuk about the assassination plans eight months before the Ergenekon investigation.
In May 2007, Pamuk was among the jury members at the Cannes Film Festival headed by British director Stephen Frears. He completed his next novel, Masumiyet Müzesi (The Museum of Innocence) in the summer of 2008 - the first novel he published after receiving the 2006 Nobel Prize in Literature.
In 2006, Pamuk returned to the U.S. to take a position as a visiting professor at Columbia, where he was a Fellow with Columbia's Committee on Global Thought and held an appointment in Columbia's Middle East and Asian Languages and Cultures department and at its School of the Arts. In the 2007–2008 academic year Pamuk returned to Columbia to jointly teach comparative literature classes with Andreas Huyssen and David Damrosch. Pamuk was also a writer-in-residence at Bard College. In autumn 2009, Pamuk was Harvard's Charles Eliot Norton Lecturer, delivering a series of lectures entitled "The Naive and Sentimental Novelist".
In 2005, after Pamuk made a statement regarding the Armenian Genocide and mass killings of Kurds, a criminal case was opened against the author based on a complaint filed by ultra-nationalist lawyer Kemal Kerinçsiz. The charges were dropped on 22 January 2006. In Bilecik, his books were burnt in a nationalist rally. Pamuk has subsequently stated his intent was to draw attention to freedom of speech issues. However, Kemal Kerinçsiz, the lawyer who had originally pressed charges against Pamuk, appealed to the Supreme Court of Appeal which ordered the court in Şişli to re-open the case. On 27 March 2011, Pamuk was found guilty and ordered to pay 6,000 liras in total compensation to five people for, among others, having insulted their honor.
On 22 January 2006, Turkey's Justice Ministry refused to issue an approval of the prosecution, saying that they had no authority to open a case against Pamuk under the new penal code. With the trial in the local court, it was ruled the next day that the case could not continue without Justice Ministry approval. Pamuk's lawyer, Haluk İnanıcı, subsequently confirmed that charges had been dropped.
In 2006, the magazine Time listed Pamuk in the cover article "TIME 100: The People Who Shape Our World", in the category "Heroes & Pioneers", for speaking up.
In April 2006, on the BBC's HARDtalk program, Pamuk stated that his remarks regarding the Armenian Genocide were meant to draw attention to freedom of expression issues in Turkey rather than to the massacres themselves.
On 19–20 December 2006, a symposium on Orhan Pamuk and His Work was held at Sabancı University, Istanbul. Pamuk himself gave the closing address.
On 12 October 2006, the Swedish Academy announced that he had been awarded the 2006 Nobel Prize in Literature, confounding pundits and oddsmakers who had concluded that Syrian poet Ali Ahmad Said, known as Adunis, was most likely to receive that year's award. There were concerns within Turkey that the decision to award the Nobel Prize to Pamuk was politically motivated. In its citation, the Academy said: "In the quest for the melancholic soul of his native city, [Pamuk] has discovered new symbols for the clash and interlacing of cultures."
Pamuk held his Nobel Lecture on 7 December 2006 at the Swedish Academy, Stockholm. The lecture was entitled "Babamın Bavulu" ("My Father's Suitcase") and was given in Turkish. In the lecture he allegorically spoke of relations between Eastern and Western civilizations using the theme of his relationship with his father.
The European Writers' Parliament came about as a result of a joint proposal by Pamuk and José Saramago. In 2005, the ultra-nationalist lawyer Kemal Kerinçsiz sued Pamuk over his statement regarding the Armenian Genocide in the Ottoman Empire. His intention, according to Pamuk himself, had been to highlight issues relating to freedom of speech in the country of his birth. The court initially declined to hear the case, but in 2011 Pamuk was ordered to pay 6,000 liras in total compensation for having insulted the plaintiffs' honor.
The criminal charges against Pamuk resulted from remarks he made during an interview in February 2005 with the Swiss publication Das Magazin, a weekly supplement to a number of Swiss daily newspapers: the Tages-Anzeiger, the Basler Zeitung, the Berner Zeitung and the Solothurner Tagblatt. In the interview, Pamuk stated, "Thirty thousand Kurds have been killed here, and a million Armenians. And almost nobody dares to mention that. So I do." Turkish historians were divided over the remarks.
Pamuk stated that he was consequently subjected to a hate campaign that forced him to flee the country. He returned later in 2005, however, to face the charges against him. In an interview with BBC News, he said that he wanted to defend freedom of speech, which was Turkey's only hope for coming to terms with its history: "What happened to the Ottoman Armenians in 1915 was a major thing that was hidden from the Turkish nation; it was a taboo. But we have to be able to talk about the past." However, when Turkish television, CNN TURK asked Pamuk about his speech, he admitted that he said that "Armenians were killed" but he rejected that he said "Turks killed Armenians" and he estimated the number of deaths (as 1 million) in that speech.
Article 301's old form before 2005 (and also the new form after the amendments in 2008) required that prosecution under the article needs to be approved by the Ministry of Justice. A few minutes after Pamuk's trial started on 16 December, the judge found that this approval had not yet been received and suspended the proceedings. In an interview published in the Akşam newspaper the same day, the then Justice Minister Cemil Çiçek said he had not yet received Pamuk's file but would study it thoroughly once it came.
On 29 December 2005, Turkish state prosecutors dropped the charge that Pamuk insulted Turkey's armed forces, although the charge of "insulting Turkishness" remained.
In 2005, Pamuk received the €25,000 Peace Prize of the German Book Trade for his literary work, in which "Europe and Islamic Turkey find a place for one another." The award presentation was held at Paul's Church, Frankfurt.
Of partial Circassian descent and born in Istanbul, Pamuk is the first Turkish Nobel laureate. He is also the recipient of numerous other literary awards. My Name Is Red won the 2002 Prix du Meilleur Livre Étranger, 2002 Premio Grinzane Cavour and 2003 International Dublin Literary Award.
Pamuk followed this with the novel Kar, published in 2002 (English translation: Snow, 2004). Set in the border city of Kars, it explores the conflict between Islamism and Westernism in modern Turkey. Snow follows Ka, an expatriate Turkish poet, as he wanders around the snowy Kars and gets caught up in the muddle of aimless Islamists, MPs, headscarf advocates, secularists, and a number of factions who die and kill in the name of highly contradictory ideals. The New York Times listed Snow as one of its Ten Best Books of 2004.
Pamuk's international reputation continued to increase when he published Benim Adım Kırmızı (My Name is Red) in 1998. The novel blends mystery, romance, and philosophical puzzles in a setting of 16th century Istanbul. It opens a window into the reign of Ottoman Sultan Murat III in nine snowy winter days of 1591, inviting the reader to experience the tension between East and West from a breathlessly urgent perspective. My Name Is Red has been translated into 24 languages and in 2003 won the International Dublin Literary Award, the world's most lucrative literary prize.
Pamuk won a number of critical prizes for his early work, including the 1984 Madarali Novel Prize for his second novel Sessiz Ev (Silent House) and the 1991 Prix de la Découverte Européenne for the French translation of this novel. His historical novel Beyaz Kale (The White Castle), published in Turkish in 1985, won the 1990 Independent Award for Foreign Fiction and extended his reputation abroad. On 19 May 1991, The New York Times Book Review stated, "A new star has risen in the east—Orhan Pamuk." He started experimenting with postmodern techniques in his novels, a change from the strict naturalism of his early works.
Popular success took a bit longer to come to Pamuk, but his 1990 novel Kara Kitap (The Black Book) became one of the most controversial and popular books in Turkish literature, due to its complexity and richness. In 1992, he wrote the screenplay for the movie Gizli Yüz (Secret Face), based on Kara Kitap and directed by a prominent Turkish director, Ömer Kavur. Pamuk's fifth novel Yeni Hayat (New Life) caused a sensation in Turkey upon its 1994 publication and became the fastest-selling book in Turkish history. By this time, Pamuk had also become a high-profile figure in Turkey, due to his support for Kurdish political rights. In 1995, Pamuk was among a group of authors tried for writing essays that criticized Turkey's treatment of the Kurds. In 1999, Pamuk published his book of essays Öteki Renkler (Other Colors).
On 1 March 1982, Pamuk married historian Aylin Türegün. From 1985 to 1988, while his wife was a graduate student at Columbia University, Pamuk assumed the position of visiting scholar there, using the time to conduct research and write his novel The Black Book at the university's Butler Library. This period also included a visiting fellowship at the University of Iowa. Pamuk returned to Istanbul, a city to which he is strongly attached. He and his wife had a daughter named Rüya (born 1991), whose name means "dream" in Turkish. In 2001, they were divorced.
In mid-1980s Istanbul, Master Mahmut and his apprentice use ancient methods to dig new wells; this is the tale of their back-breaking struggle, but it is also an exploration—through stories and images—of ideas about fathers and sons, authoritarianism and individuality, state and freedom, reading and seeing. This short, compelling novel is at once a realist text investigating a murder which took place thirty years ago near Istanbul, and a fictional inquiry into the literary foundations of civilizations, comparing two fundamental myths of the West and the East respectively: Sophocles’s Oedipus Rex (a story of patricide) and Ferdowsi’s tale of Rostam and Sohrab (a story of filicide).
He started writing regularly in 1974. His first novel, Karanlık ve Işık (Darkness and Light) was a co-winner of the 1979 Milliyet Press Novel Contest (Mehmet Eroğlu was the other winner). This novel was published with the title Cevdet Bey ve Oğulları (Mr. Cevdet and His Sons) in 1982, and won the Orhan Kemal Novel Prize in 1983. It tells the story of three generations of a wealthy Istanbul family living in Nişantaşı, the district of Istanbul where Pamuk grew up.
Ferit Orhan Pamuk (born 7 June 1952) is a Turkish novelist, screenwriter, academic and recipient of the 2006 Nobel Prize in Literature. One of Turkey's most prominent novelists, his work has sold over thirteen million books in sixty-three languages, making him the country's best-selling writer.
Pamuk was born in Istanbul, in 1952, and he grew up in a wealthy yet declining upper class family; an experience he describes in passing in his novels The Black Book and Cevdet Bey and His Sons, as well as more thoroughly in his personal memoir Istanbul: Memories and the City. Pamuk's paternal grandmother was Circassian. He was educated at Robert College secondary school in Istanbul and went on to study architecture at the Istanbul Technical University since it was related to his real dream career, painting. He left the architecture school after three years, however, to become a full-time writer, and graduated from the Institute of Journalism at the University of Istanbul in 1976. From ages 22 to 30, Pamuk lived with his mother, writing his first novel and attempting to find a publisher. He describes himself as a Cultural Muslim who associates the historical and cultural identification with the religion while not believing in a personal connection to God.