Shafiuddin Ahmed height - How tall is Shafiuddin Ahmed?

Shafiuddin Ahmed was born on 23 June, 1922 in Kolkata, India, is a Bangladeshi artist. At 90 years old, Shafiuddin Ahmed height not available right now. We will update Shafiuddin Ahmed's height soon as possible.

Now We discover Shafiuddin Ahmed's Biography, Age, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of net worth at the age of 90 years old?

Popular As N/A
Occupation Artist
Shafiuddin Ahmed Age 90 years old
Zodiac Sign Cancer
Born 23 June 1922
Birthday 23 June
Birthplace Kolkata, India
Date of death May 20, 2012,
Died Place Dhaka, Bangladesh
Nationality India

We recommend you to check the complete list of Famous People born on 23 June. He is a member of famous Artist with the age 90 years old group.

Shafiuddin Ahmed Weight & Measurements

Physical Status
Weight Not Available
Body Measurements Not Available
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
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Wife Not Available
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Children Not Available

Shafiuddin Ahmed Net Worth

He net worth has been growing significantly in 2021-22. So, how much is Shafiuddin Ahmed worth at the age of 90 years old? Shafiuddin Ahmed’s income source is mostly from being a successful Artist. He is from India. We have estimated Shafiuddin Ahmed's net worth , money, salary, income, and assets.

Net Worth in 2022 $1 Million - $5 Million
Salary in 2022 Under Review
Net Worth in 2021 Pending
Salary in 2021 Under Review
House Not Available
Cars Not Available
Source of Income Artist

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Timeline

2012

Ahmed died at Square Hospital in Dhaka on 20 May 2012.

1952

He was employed in Prahlad Karmarkar's studio. In one early painting there, he departed from pure narration to add his own perception and variation in the etching. Ramendranath chakravorty as a teacher of printmaking as a creative art form.inspired by them safiuddin learned the techniques of printmaking along with painting.even in the mid-twentieth century printmaking was not considered a mainstream medium in this subcontinent.even now in the government art college of kolkata at the bahelor's degree level printmaking is taught as a subject painting .the print making medium was not at that time among the mainstream media like painting and sculpture and one of safiuddin's greatest achievements is that he helped raise this discipline of apparently secondary importance by adopting it as the main medium for his creative works and assisted it to reach a status equal to that of painting and sculpture.while living in kolkata, the life of indigenous santals, give him inspiration to draw various picture. But after coming to east Pakistan the look, posture and the environment of his picture changed."Empty basket" ,lemonade stand(pl.8.15)painted in oil colors in 1952 are quite perceptibly pictures of east bengal.The two painting :Fishing" and "carpenter"done between 1954 and 1956 deserve special mention two reasons.In these two painting in oil colors we notice that he has tried to experiment with shapes more than in his landscape which are composed with the combination of light and shade.The color of these two paintings are strongly flat,the edges or contours of the forms subjective exaggeration has been resorted to rather than attempting to remain faithful to pictorially reconstruct the visual world in his own way.As a result,from this period his picture gradually start to move towards abstraction.In 1958 he completed the diploma course in printmaking from the central school of arts and crafts of London with distinction from 1956 to 1974.He visited different galleries of England ,France,Italy,Germany,Belgium,Netherlands,Switzerland,Soviet union and India.

1946

In the oil paintings Sunlit Hut, Dumka-1, Dumka-2 and Dumka ShalForest done in 1946, he applied the pigment in strokes like the Impressionists; and did not create sfumato by mixing paints.

1939

Though Ahmed had been born and brought up in the city, he selected the landscape and life of the people in particularly remote areas of Radha Vangaand Jharkhand as the setting of his works. At the beginning of the `30s,Abanindranath painted the "Arabian nights series.This series is the last one in his fine aesthetic romance style.In 1939 in the background of the second world war he took his brush in hand .his fine.soft style was transformed.He started to draw the pictures of the "Krishnamangal" series where painted the killing of seventeen asuras or demons by the child krishna.

1936

Ahmed's studied art at Calcutta Government School of Art in 1936. Safiuddin came into proximity with many people while studying in the art school from 1930 to 1942. As he practiced painting nature studies and landscapes and went to draw people with the students to the bank of the Ganges,the zoo and the Sealdah station, likewise he want to studio in the home of the teacher prohlad, which always had its door open to visitors, was also frequented by Dilip Dasgupta, Zainul Abedin and others. This means, safiuddin was one of those who spent most of the hours of the day practicing art, through studies outside the school and in prohlad's studio. Other thAn this, as students they regularly went to the Radha area at the western border of Bengal to Birbhum and the adjacent dumka area at the adjacent dumka area of Jharkhand. The everyday life of the santals of that area, the dry landscape, vegetation, slowly flowing rivers, sky, horizons of Radha have repeatedly appeared as subjects of paintings and prints done during his student life. The second world war started in Europe in 1939. In 1958 he completed the diploma courses in printmaking from the Central School of Arts and Crafts in London with distinction.

1922

Safiuddin Ahmed (23 June 1922 – 20 May 2012) was a Bangladeshi artist. He was awarded Ekushey Padak in 1978 and Independence Day Award in 1996 by the Government of Bangladesh.

Ahmed was born on 23 June 1922, in Bhabanipur, Kolkata. His father, Matinuddin Ahmed, was a sub-registrar in the land office of the Government of Bengal and his mother, Bibi Jamila Khatun, was a housewife. Three generations of his family had lived in their paternal homestead in Bhabanipur. Ahmad's paternal grandfather, Aminuddin Ahmed, was a popular doctor in Bhabanipur. Aminuddin Ahmed was known as "Bachu Daktar" by the local residents. The road in front of his house was named "Bachu Daktar Lane" after Aminuddin Ahmed's death under the initiative of the "Kolkata municipality". Ahmed's father died when he was young. Bhabanipur was adjacent to shahebpara chaurangi. although people from different provinces lived in this area,majority of the inhabitants were culturally conscious Bengali Hindus and Muslims. Baliganj of south Kolkata was then in the suburbs,populated sparsely.