Simonne Jones height - How tall is Simonne Jones?

In 2016, she used gravitational wave audio from the collision of black holes form LIGO and collaborated with CERN using representations of real time particle collision data from the large hadron collider in the song "Alchemy".

On 27 May 2016 Jones released the debut single and music video for "Gravity" worldwide via Universal/Capitol Records.

Fusion, who added Jones to their The best 25 songs of 2016 list wrote, "Simonne uses her background in scientific theory to write electro-pop songs that lyrically reference complex concepts like relativity and gravity while sounding both otherworldly and like a hymn you’ve always known."

Jones explored music as a spiritual ritual in the Brazilian Amazon during an immersive indigenous experience in Jean Michel Jarre's documentary Soundhunters in 2015 with the Guaraní people . She released the song "The Silver Cord" in an album curated by Jean Michel Jarre called Zoolook Revisited inspired by his 1984 Zoolook album.

In 2013 Jones was photographed for the cover of Missy Magazine. That year she was accepted out of 10,000 applicants into the competitive Red Bull Music Academy in New York City. During this time she was invited to compose and perform as a soloist with the ORSO philharmonic orchestra and choir in Freiburg Germany conducted by Wolfgang Rose. Shortly after she scored and performed in the play Jedermann directed by Bastian Kraft, premiering at the prestigious Salzburg festival, also making her acting debut playing the character Death. Jones performed her compositions in the play as a one-woman orchestra in China at Tianjin's Grand Theater, the Kurtheater Baden in Switzerland, the Theater Duisburg in Duisburg Germany before the play moved to a residency at the Thalia Theater in Hamburg for the next 3 years. In 2014, she was invited to open for American rock band Thirty Seconds to Mars.

She took her first steps as a professional musician when she was asked to perform at a Diesel show for Berlin fashion week in 2012. Jones was taken on as a protege by Peaches, who impressed with Simonne's burgeoning talents instilled artistic autonomy by encouraging her to engineer and produce recording sessions. They collaborated on the song Free Pussy Riot as a political protest to the imprisonment of the Russian performance artists Pussy Riot.