Timberlake Wertenbaker height - How tall is Timberlake Wertenbaker?

Timberlake Wertenbaker was born on 19 February, 1951 in New York, New York, United States, is a Playwright, Librettist. At 69 years old, Timberlake Wertenbaker height not available right now. We will update Timberlake Wertenbaker's height soon as possible.

Now We discover Timberlake Wertenbaker's Biography, Age, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of net worth at the age of 71 years old?

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Occupation Playwright, Librettist
Timberlake Wertenbaker Age 71 years old
Zodiac Sign Aquarius
Born 19 February 1951
Birthday 19 February
Birthplace New York, New York, United States
Nationality United Kingdom

We recommend you to check the complete list of Famous People born on 19 February. She is a member of famous Playwright with the age 71 years old group.

Timberlake Wertenbaker Weight & Measurements

Physical Status
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Who Is Timberlake Wertenbaker's Husband?

Her husband is John Man

Family
Parents Not Available
Husband John Man
Sibling Not Available
Children Not Available

Timberlake Wertenbaker Net Worth

She net worth has been growing significantly in 2021-22. So, how much is Timberlake Wertenbaker worth at the age of 71 years old? Timberlake Wertenbaker’s income source is mostly from being a successful Playwright. She is from United Kingdom. We have estimated Timberlake Wertenbaker's net worth , money, salary, income, and assets.

Net Worth in 2022 $1 Million - $5 Million
Salary in 2022 Under Review
Net Worth in 2021 Pending
Salary in 2021 Under Review
House Not Available
Cars Not Available
Source of Income Playwright

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Timeline

2019

There is a further recurring theme in her work: displacement. In her plays, characters are often removed from the familiarity of home and are forced to live in new cultures, sometimes defined by national boundaries, other times by cultural and class divisions. From this central theme emerge related themes, including isolation, dispossession, and the problem of forging an identity within a new cultural milieu. In her work, individuals often seem to assume roles, as if identity were a matter of persons performing themselves. Wertenbaker’s work also demonstrates a keen awareness that communication occurs through language that often inadequately expresses experience.

Her translations and adaptations include several plays by Marivaux (Shared Experience, Radio 3), Sophocles’ Theban Plays (RSC), Euripides’ Hecuba (ACT, San Francisco), Eduardo de Filippo, Gabriela Preissova’s Jenufa (Arcola), and Racine (Phèdre, Britannicus).

2006

Wertenbaker was made a Fellow of the Royal Society of Literature in 2006.

1997

In 1997, the British Library acquired Wertenbaker’s archive consisting of manuscripts, correspondence and papers relating to her works.

1991

Wertenbaker's best-known work is Our Country's Good, which won six Tony nominations for its 1991 production. She has a propensity to write about political thinking and conflict, especially where there is a settled orthodoxy: "Then the rebel in me goes berserk, and I start pawing at it. I like the area where the questions are, and the ambiguities of political life, rather than the certainties."

1983

Wertenbaker was the resident writer for Shared Experience in 1983 and the Royal Court Theatre from 1984 to 1985. She was on the Executive Council of the English Stage Company from 1992 to 1997 and on the Executive Committee of PEN from 1998 to 2001. She served as the Royden B. Davis professor of Theatre at Georgetown University, Washington D.C., for 2005-06. She was the Leverhulme Artist in Residence at the Freud Museum in 2011. She was also the artistic director of New Perspective Theatre Company.

1951

Timberlake Wertenbaker (born 1951) is a British-based playwright, screenplay writer, and translator who has written plays for the Royal Court, the Royal Shakespeare Company and others. She has been described as "the doyenne of political theatre of the 1980s and 1990s".