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The streets and inhabitants of Sydney's urban fringe provide the content and impetus for her work. Mini Graff stenciled and printed images onto a variety of media (walls, boards, vinyl, paper, rarely canvas) which strongly relate to the given environment and community, transforming an anonymous repetitive urban landscape into a unique and personal aesthetic experience. Parody, humor and social commentary are common themes in Graff's work – notions that are translated into experiments with scale in public space – from discrete interventions to large-scale installations.

Wendy Murray was born in New Zealand. She gained a Bachelor in Design from Massey University, New Zealand, in 1999 and, following a move to Australia, earned a Master of Fine Arts from the National Art School, Sydney, in 2014. Between 2008–12 she was Project Coordinator at MAY’S – The May Lane Street Art Project, Sydney. Her academic teaching career included positions as Lecturer in Fine Art Printmaking at the National Art School, Sydney between 2010–15, and Lecturer in Printmedia at the Sydney College of the Arts between 2011–12 and from 2015–19. Wendy Murray was a consultant researcher in Geography and Urban Studies at the University of Western Sydney during 2013–14..

Wendy Murray (born 1974) is a visual artist and arts educator formerly known as Mini Graff. Utilising the former persona, Murray worked as an urban street poster artist between 2003–2010, who worked in and around the city's urban fringe. From 2014 Murray's art expanded into traditional forms of drawing and artist book design, whilst still engaging with social and political issues through poster making. The artist's use of letraset transfers in graphic design, alongside vibrant colours and fluorescent inks, references the work of studios from the 1960s through to the 1980s, including the community-based Earthworks Poster Collective and Redback Graphix. The 2018 collaboration with The Urban Crew – a 17 person collective of socially engaged geographers, planners, political scientists and sociologists – resulted in the Sydney – We Need to Talk! artist book, addressing issues of development, transport congestion, housing affordability and commercialisation of public space.